#89: Andrew C-P

Age: 16

Location: Washington, United States

When did you discover anime? Back in winter of 2014. I was browsing images on the internet and came across a gif of Haiyore! Nyaruko-San, which I found to be pretty funny. So I decided to check out an episode or two to see the source material. I never expected to get into anime, but I really liked watching Nyaruko, and I ended up watching everything there was to watch. Both OVAs, both seasons, and both mini series. I had learned pretty much everything there was about that show. I even waited patiently for the third and final OVA to come out that following June. I also re-watched entirely right before June. Never in my life had I been so fascinated by one show.

After Nyaruko, I watched others throughout that summer of 2015, and finished Attack on Titan, (I watched the anime and got up-to-date on the manga), Sword Art Online (as much as people hate it, I still love it, especially the light novels), Kill la Kill, Himouto Umaru-Chan, and some others that I can’t recall. This may not seem like a lot, but I was the guy who was reluctant to actually watch anime, so watching all of that was a lot for me.

What appealed to you about anime when you first discovered it? The humor. Even though Nyaruko was chock-full of references I didn’t understand until later on, I still found it to be really funny. I had never seen a show with as characters as vibrant as these.

What would you say was the most popular anime at the time? Let’s see: this was 2014. I wasn’t super into anime yet then so I wouldn’t exactly know, but I think Attack on Titan was still super popular. I can only guess at this because kids at school were still wearing Attack on Titan shirts.

What was it like to be a part of anime fandom at the time? I wasn’t really a part of the fandom per se. I liked anime, but I never got involved with the community until late August of 2016, when I got into a Discord server about anime. Then, the next month, I joined a cat café themed server revolving around just liking anime in general. I now host my own server centered around my all-time favorite anime Spice and Wolf.

How did you get into Spice and Wolf and why is it your favorite? I got into Spice and Wolf from one of those “Top 10” YouTube videos. I really loved the story. Despite what the title may suggest, there is nothing fanservice-y about it. It’s about a merchant who happens upon a wolf deity who is trying to get to her home in the north. On their way there, they happen upon many economic schemes to profit from. I recommend it to anyone who asks.

Could you tell me more about Discord servers for fandom discussion? Sure! You join a Discord server by receiving the invite link from someone inside the server. That sounds exclusive, right? They aren’t! A lot of people post their server invite links in a public place so people can join. The first one I joined, I found the link on the Crunchyroll forums right around the time I started using Crunchyroll. It was a Discord server for a group I unknowingly joined named “Shenanigans.” From there I got to talk to lots of cool people, and join other servers that people had made, who have their own awesome people in them.

Do you remember your first convention? I have never been to a convention. I don’t think I’ll go to one until after I turn 18, mainly because I show that I like anime around my friends and family. Anime is like a secret passion for me.

If it’s secret, who do you tell about it? Who don’t you tell? Why not? The only people I tell about liking anime are people online. I don’t tell my IRL friends because I’d be made fun of. I used to have their same mindset as well, thinking it was all weird weeb shit. Because of that, I don’t really care.

You said kids wore Attack on Titan shirts to school. Did that mean anime fandom was generally socially acceptable? Whether it was cool or uncool to like anime really belonged—and still belongs to—what social clique you are in. The clique I was in wasn’t very keen on anime, but there were plenty who were.

How do you think you’ve grown as an anime fan since discovering anime? I don’t believe I’ve grown much. I still watch just to watch it, and I watch what I want to watch, no matter the horrible reviews (cough Sword Art Online cough). Everyone has different likes and dislikes, and that’s just fine.

Andrew can be found on Crunchyroll

#87: Mudakun

Age: 50s

Location: Southwestern Ontario, Canada

When did you discover anime? How many exposures did it take?

First infection: Tobor the 8th Man. My first impressions: “Wow, good story, but really low budget cartoons. Johnny Quest is kewler but this is still fun…”

/years go by/

“Must study, study, study reading for next class, revise next chapter major paper. if up before 7:30am can watch Star Blazers every weekday. Holy Shyte, that’s some elaborate plotting. Music is cheesy but catchy…”

/Again, infection clears, years go by/

Hanging with friends, one of them has an older sister who puts on a movie night for everyone, with food. Seems one of her friends was originally from Japan and a relative sent a VHS of this kid’s cartoon called Totoro

“OK, in Japanese, no biggie, friend provides sotto vocce commentary.
A bit later… “Oh, by the same studio, dubbed, here’s something about a princess called Mononoke.”

(“Oh fuck… doomed now… What’s this Kiki thing?”)

/Two months later/

“Amazing what one can do with usenet groups and Free Agent/ Xnews, even with dial-up… overnight… every night…”

“CHECK OUT THE FANSUBS on this thing called Spirited Away! The subs have explanatory footnote subs!”

/Infection now chronic but manageable/

/Fast-forward to the present/

“Aww snap, nothing I can rouse myself to blog about this month…”

Conclusion: No Anime club, no Genshiken analogue… Despite repeated prior infections, Ghibli Anime Moms were to blame.

What appealed to you about anime when you first discovered it? Its storylines.

Could you elaborate? Contemporary Japanese visual culture and its diaspora instances offer both narrative density and layered complexity. That the stories also wander into schmex, attraction and (ulp!) romance turns out to be a side-benefit that I had no idea that I would later enjoy.

As a kid, while it was obvious that 8th Man was poorly “English-ified,” and bits of its “Japanese-ness” would bleed through. Skip forward to watching Star Blazers every weekday morning at 7:30 AM from 1979 to 1980. Wow. Long, continuous story. I missed large chunks, so I watched it through again; TV stations back then would just loop episodes after a full season or run. Rocky and Bullwinkle was notorious for this in North American practice. Another fun thing: the “English-ification” (remember, I’m not yet a fan, so terms like “localization,” “dubs,” etc. miss something) had clearly removed some things and glossed over others. What exactly was that WWII battleship? No Google back then. Oh my! Those layers were interesting but not yet seductive.

Star Blazers might have been the second to last dub I ever tolerated. Mononoke was the last.

I can’t stand dubs. Worst offender ever: New Dominion Tank Police. My ears! My ears!

In 1989 I was very into international cinema. When I saw Akira at a rep cinema, it wasn’t as a fan of Japanese animation—hence my sotto voce droning out of “Koy-aani-squat-si” during the slow-mo office tower window shattering scene—and yes, enough other film snobs in the theatre laughed too at the obvious reference. Otherwise, my only other take on it was “only adults are allowed to kill” as a rule governing the action.

Fast forward to studio Ghibli products. When I snagged a grey copy of Spirited Away, I found that the fansub group on that version had gone full footnote-cray-cray, with running explanatory top-subs to supplement the dialog subs on the bottom. Obsessive subtitles and then obsessive scanlations of complex, long-running manga like Sayonara Zetsubou Sensei added a few more layers to the feast.

More layers:

Stories that were not afraid of sexuality, longing and romance as well as loss and regret and were not handled in the usual US-style “comic code”/ Hollywood keep-it-simple-because-the-audience-is-bored-and-stupid manner. Somewhat closer to European practice, but uniquely Japanese.

Their manner of cultural appropriation of anglo and euro/ western cultural artifacts, settings and mythologies—which the naive took as mimicry was what was what “the west” had been doing with “exotic cultures” since 1800 at least. It is jarring and then fascinating to see the full Adrian Piper Cultural Appropriation model being done back to us by a parallel, late high modernist mass culture that does not share our Judeo-Christian cutural underpinnings.

They don’t care a toss if we are miffed about how they use our stuff. Santa Claus and machine-gun toting miniskirted exorcist “girl-priests” fighting vampires? Sure, why not? All part of the same crazy gaijin culture bag along with German layer cakes. Grab the surface forms, ignore as much of the “lore” as you please. Suddenly WE are the spear-waving “natives” in the Johnny Quest intro. We get drafted to be Hadji.

“To recognize an alien cultural practice as different from one’s own, and as inaccessible to understanding with respect to content, is implicitly to recognize one’s own cultural practice as a cultural practice, with its own rules and constraints.”

—The Logic of Modernism, Adrian Piper

A final style point about Japanese anime and manga: their makers assume you will re-watch and re-read multiple times with obsessive attention to detail if you get hooked. They won’t hold your hand but they pack a heck of a lot into a single page or a short scene. It’s hard to explain, but if you read Korean Naver-derived manwha, you can immediately “feel” how thin it is in comparison—all while it is far more cinematographically dynamic, in a minimalist way. (PEAK was a great exception to this, then it vanished)

So, hmmmm, yup; the storylines.

Was the Internet a part of fandom at the time? If yes, how? If no, how did you connect with other fans? USENET leeches!

Do you remember your first convention? I was a lapsed science fiction fan, and I started attending Worldcon in the early ’70s. Haven’t done any anime manga cons, except: Comiket special 2015 and Comiket winter 2015. As my Japanese is non-existent, it was more of a cultural field trip than a con experience. My internal monologue: “I am illiterate and my feet hurt… Great cosplay… Oh, I can’t smoke out by this dumpster? Embarrassment…”

How did you end up blogging about anime and manga? How has blogging
changed the way you participate in the fandom? The immediate effect was to stop bothering senior bloggers with insanely long wander-off-into-left-field 3 AM insights dropped into their comment sections.

I started blogging because I got hooked on Genshiken, as author Kio Shimoku re-activated it for its “second generation.” I had enough university critical theory, as well as deep suspicions about the roots of some of its sloppier applications, but I also knew that you could misunderstand it creatively to jury-rig bits into an art form or a story. I saw that happening with Genshiken and then with Genshiken Nidaime. That eventually dragged me into “the old straight pale euroethnic guy watches the Japanese married with kid(s?) mangaka cut and paste fan studies and Lacanian cultural analysis, then (OMFG !!!!) gender studies detritus into a university club ensemble manga.

Let’s see: Cultural anthropology themes in the first few chapters of the original then Dr. Saito Tamaki’s Beautiful Fighting Girl cut-n-paste-ins. What of the new version? The club is taken over by fujoshi and then you create a cross-dressing boy who wants to be a fujoshi, but isn’t, etc… Google is your friend.

What? Why are characters repeating signature lines from a prominent Japanese (studied in America) academic who is an activist lesbian fujoshi? This odd “theory moe” approach went on to land me a place at an obscure fan-studies related academic conference. That was fun, even when it turned out to be 98% rotten.

Currently I watch from the sidelines as different groups nudge and elbow their ways, concerns and their stories into weird little anime episodes and manga chapters. Unlike academic/ social media posturing fights, at least you get an anime or manga out of the debates.

In your experience, how is anime fandom different today than it was back then? “Then” in my case must include my first brush with early 1970s Star Trek “hard’ science fiction fandoms. The local Star Trek fandom in my neck of the woods was, in retrospect an occult pit of university age slash fen who barely tolerated the geeky high-school guys and kept “those fanzines” away from our eyes. In retrospect I was so clueless it hurts to remember it. Larger sci-fi fandom was a lot more of a geek guy thing with far more cheesecake and fun binge-drinking. The convention arguments were just as “talk-louder-than-you” but the subjects under discussion were a tad more interesting than “this starship can whomp that starship.”

I kept away from the usenet fan discussions of the late ’90s and early 2000s. Wasting bandwidth on convention ego displays while on a dial-up modem seemed pointless. I was mooching the early electronic music alt-binaries groups where the culture was: ‘I am nym [early Internet speech for “anonymous”], this is neat, I post it as a gift.” Holy crap! my PC is now a music studio. Oddly enough many of these folks liked to sample anime theme songs, which led to the discovery that a few newsgroups over…

Today I find that Web 2.0 and 2.x innovations have allowed all manner of fannish affinity-interaction models to flourish. Some I find convenient, like WordPress blogs and Twitter. Others less so and still others opaque. Tumblr is work for me; Instagram, huh??? Different fans and groups interact differently. Some are not my thing, other even toxic but I can always close the tab and never return. What I now prize is not the illusion of a “social” spread across the net but the tone of a blog or a series of posts.

Mudakun can be reached on Twitter and his blog.

#86: Reuben

Age: 24

Location: Boston, Massachusetts

When did you discover anime? I grew up in the Pokemon generation but never actually got into Pokemon. The first time I encountered Pokemon when I was five some kid was showing me his card collection, which included a Pikachu that had been edited to have Darth Maul’s face. I was a scaredy-cat as a kid and became scared of Pokemon for a bit.

Even after I got over that fear, I was still sort of “anti-Pokemon” for a while (since I became a big Animaniacs fan and reading online that WB canceled Animaniacs in part because of Pokemon got me angry). I also remember seeing a primetime special advertising the FoxBox when I was nine and the ad for Fighting Foodons was so terrible it almost turned me off of anime forever.

Fortunately, that year was also when a movie called Spirited Away was playing in theaters, and every single person who’d seen it was talking about it like it was the greatest thing ever. I had to check out what the fuss was about. And then I became obsessed.

What appealed to you about anime then? With Miyazaki’s films, the sheer beauty of the animation was the primary appeal for me. The stuff I got into on Toonami around that time. ( Shows like .HACK, Ruroni Kenshin, Yu Yu Hakusho.) They weren’t as amazingly animated but I was intrigued the serialized plots more complex than what I was seeing in American cartoons at the time.

What would you say was the most popular anime at the time? After the initial burst of Pokemon‘s popularity, Dragon Ball Z was the most popular title when I was getting into anime. I never got into that show; I tried, but it was in the middle of the series when my family first got cable in 2003 and I couldn’t really follow it, plus it dragged out a lot. Sailor Moon had already left TV so that was before my time. Meanwhile, I got into Naruto before it became super-popular in the states.

What was it like to be a part of anime fandom at the time? It was exciting to discover stuff. My mom started working at Waldenbooks and would show me the cool new stuff in the manga section (there were also manga like Chobits she discovered out of her own curiosity and wouldn’t let me read but enjoyed herself). Anime club in middle school and high school became my social life.

Ii’s neat your mom was interested in manga. Is she still? What did she think about your interest, especially as you and your sister got older? My mom’s had health problems. Her vision has gotten worse and she’s sort of fallen out of reading in general (still can do audiobooks though lately I’m afraid she’s a bit distracted by constant phone messages from a couple of very needy friends of hers to stay focused listening). She still will watch anime with us (having a Fire Stick and the Crunchyroll app now makes it a lot more convenient since she doesn’t like watching longer shows on the computer) and is totally supportive of our interests as always.

Tell me about your school anime clubs. Middle school anime club was run by an art teacher and was mainly focused on drawing while mostly Ghibli movies played in the background (one week I convinced the teacher to play Cat Soup and I think I scarred her for life). Anime club in high school met twice a week at the library, one day for viewings and one day for general socializing. It was the biggest club in the school, 50 or so members, even bigger than the football team! Though we did also sort of cheat those numbers by allowing recent alums to attend.

Was the Internet a part of fandom at the time? I was already reading general animation message boards such as ToonZone and Animation Insider before I got into anime in particular, so those communities ended up being my primary online places to discuss anime. A couple years into my time as a fan I discovered torrenting (I wanted to see the version of One Piece that wasn’t butchered by 4Kids); I stopped in 2007 after Geneon closed and I became serious about getting anime legally.

What inspired this change of heart? Seeing that piracy was actually hurting the industry enough to shut a major company down.

Do you remember your first convention? What was it, and what was it like?
Anime Boston 2004 sold out but my parents were able to get me tickets to the dealers room on Sunday (that year they sold separate tickets for the dealers room and the general con). 2005 my mom took my sister and I to the real convention. I cosplayed Shigure Sohma, my sister was Tohru Honda. It was fun, though conventions got significantly more when I started going with my high school club in 2008 and didn’t need my mom there.

Reuben’s Masami Eiri cosplay.

I would love a photo of your cosplay to include! Sadly don’t know where they are if we still have any. Oldest cosplay photo I still have is from 2009 when I went as Masami Eiri from Lain.

For you personally, what’s the biggest contrast between anime fandom then and anime fandom today? There’s two big contrasts, one good, one bad. The good contrast is ease of access, now pretty much everything is freely and legally accessible (or, well, it was before Amazon Strike started buying everything up this year). The bad contrast is that it seems the uglier side of fandom has become more visible. For a long time if someone told me they were an anime fan I almost always knew I could get along with them; now I have to be a bit more careful to make sure they’re not THAT type of fan. For me personally the dividing moment between those two mindsets was when one of my former high school clubmates, who was also the boyfriend of my best friend, went full GamerGater.

Reuben can be reached on Twitter.

#85: Keith

Age: 36

Location: Sidney, Maine

When did you discover anime? My first anime series was the original season of Voltron back in the mid ’80s. I was a huge fan of the series as a kid, even though I didn’t know what “anime” was.

It wasn’t until the late ’90s and the advent of Toonami on Cartoon Network that I discovered Voltron‘s origins but also discovered Sailor Moon, which aired as a replacement for Thundercats after that show had gone through all its episodes twice. Although dismissive of the “girl show” at first I started getting into the story, characters, and the art. Besides Voltron, other shows followed like Robotech and Dragon Ball Z. Everything snowballed from there.

What appealed to you about anime when you first discovered it? I’ve always been an animation fan, but anime had an approach to art, characters, and storytelling that wasn’t insulting to my intelligence like many American shows produced at the time.

What would you say was the most popular anime at the time? This was 1998, so the big shows for American audiences were Ranma 1/2, Tenchi Muyo (Both TV and OAV), and Evangelion. Pokemon and those shows hadn’t come to America yet.

What was it like to be a part of anime fandom at the time? Being in Central Maine, it was just me and my best friend. During school one of my friends was an exchange student from East Asia who was the only other person who was familiar with anime outside of Akira, so it was kind of lonely.

Did you meet your best friend because of anime, or did that happen after? My best friend and I have been friends since we were 11. He knew of anime some time before I did. It wasn’t until I got into it that we started becoming big time otaku and started watching everything we could find. A lot of what he had watched was from the old Sci-Fi network back in the early ’90s, whereas I didn’t get the channel until 1996.

Also, how did that exchange student join your duo? She really didn’t. We had an art class together and when I started getting into anime by my senior year. She said she used to watch that stuff when she was back home growing up. She ended up giving me a Right Stuf catalog and we became friendlier during the year. Unfortunately, I lost contact with her when I graduated. Like I said, she was the only person I knew at that school who knew what anime actually was instead of “that Akira stuff.”

What was the first fandom you got really invested in? How did you express your fandom? I was a He-man kid! When I was very little (kindergarten age) I was big into He-Man and the Masters of the Universe! I knew all the characters and had a number of the figures, vehicles, and playsets. I was into that until about 1988 when the original series was ended. After that was G.I. Joe and I never really got out of that. I still collect those little figures and this past year my collection topped 500 figures for the first time. I also got into Silverhawks, Thundercats, Voltron, Centurions, Inhumanoids, and a bunch more of those good ’80s cartoon shows and toy lines.

Was the Internet a part of fandom at the time? It certainly was. Back in those days a lot of people had free Geocities websites (myself included) and a lot of places to find fanfiction and message boards to go to, even if those sites were basic ones.

A screenshot of the Sailor Sun Fan Fic Collective, Keith’s Geocities page.

What was your Geocities site? HA! It was the old Sailor Sun Fan Fic Collective! That site was where I stored and “published” my Sailor Moon fanfiction series. It was a single series that was over 150 stories by the time I ended it, since I was trying to write my novel at the time. I first got into that when watching Sailor Moon and started imagining my own character involved so I just started writing. The story started right after the second season and took things in a much different direction away from the Monster of the Week type stuff the show did.

The pen name “Soul Tsukino” was one of the fan characters I created, I also had a wedding, a childbirth, mixed both Tenchi Muyo and Ranma 1/2 into it, and basically broke every “rule” of fanfiction there supposedly is out there. I use it as a talking point in my “Damn Write!” writing panel at conventions as a way of telling people that I’m not an elitist when it comes to fan iction. “I wrote a 150 story Sailor Moon fanfic series with TWO self-insert characters, an otakukin, involved Sailor Pluto getting married and having a kid, mixed in both Ranma and Tenchi, and gave Kodachi Kuno cancer, and I apologize for NONE of it!”. I kept up that series for 11 years and really cut my teeth as a writer with it.

I have since moved on to original fiction, which you can find here.

Do you remember your first convention? My first con wasn’t until February of 2002. The very first PortconMaine held at the University of Southern Maine campus. It held maybe 200 people during a single weekend. I wasn’t used to gatherings like that and felt a little out of place with the cosplayers and well traveled otaku. It was fun, even if I felt I wasn’t very high on the totem pole.

Was there a pecking order in fandom? Early on in my fandom it kinda felt like it, even if it was more in my head than anything. You had the people who went to cons, the people who went to the BIG cons (Otakon), the cosplayers, con staff, the con chairs, and stuff like that leading to becoming an “Otaking.” As time went on I realized two things: 1) I didn’t need to watch EVERYTHING and just find stuff I liked, and 2) I don’t need to prove myself to anyone other than myself.

In your experience, what’s the biggest contrast between anime fandom then and anime fandom today? The availability! Sure there was stuff in the stores like Suncoast, Sam Goody, and the video rental stores, but nothing like we have today. Anime wasn’t being dubbed into English as much as it is today and we certainly didn’t have streaming sites like Crunchyroll or Funimation’s site that made finding this stuff much easier. More anime shows up on TV now where as back then having anime come to Cartoon Network was an EVENT.

The convention culture hasn’t changed that much, it’s just gotten bigger. Using bootlegs and fandubs at cons is more frowned upon now (thankfully). In Maine, we have more annual conventions now than we did back in 1998 and even rural places like this can get anime now. It’s also more socially acceptable to be an anime geek now than it was back then.

Keith can be reached on Twitter. 

#84: Richardson

Age: 29

Location: St. Paul, Minnesota

When did you discover anime? Share as much as you remember. I grew up in Indonesia, where we were introduced to Doraemon on national television in the 1990s. Early in elementary school, I remember waking up on Sundays in time to watch the 8 a.m. broadcasts. (See Quora for further reading.) I don’t think I knew it as “anime” at the time, but at some point I came to learn that it was a Japanese cartoon. Over the next several years, other anime series began airing dubbed in the local language. During days when I attended private English classes, I also remember that many of the students would be watching Sailor Moon on the school television after their class ended in the afternoon.

What appealed to you about anime when you first discovered it? As a child, I don’t think I really considered why Doraemon or other anime series were appealing. At the time, Indonesia was undergoing a transformation in its broadcasting industry. Private television networks began to emerge following deregulation, and the amount of children’s programming exploded. As children, we just consumed what was available to us and eventually that shared experience lived on as a form of nostalgia.

When I moved to the United States in middle school, that nostalgic feeling continued and I began to discover other anime series such as Digimon Adventure on Fox Kids. I also discovered Pokémon as a trading card game through friends in middle school.

When you came to the U.S. in middle school, how did you find anime fandom there to be different from fandom in Indonesia? Pokémon was all the rage when I first arrived in the U.S. That series had not yet caught on in Indonesia when I left. At that time, children’s interest in Japanese media was mainly around manga rather than anime or video games. Because Pokémon did not start as a manga series, its arrival in Indonesia came much later.

To be honest, children aren’t that much different from country to country. There isn’t much difference between Indonesian elementary schoolers talking about their favorite manga during class breaks and American middle schoolers trading Pokémon cards during lunch time. They share the same enthusiasm for what was popular. It’s just the works that were popular were different between the two countries.

But it was probably around this time that I started exploring more anime geared toward older audiences. Eventually this led to my discovering Digimon Tamers on Fox Kids, as the series had a markedly different tone compared to Pokémon.

What would you say was the most popular anime at the time? Doraemon was and remains a cultural phenomenon in Indonesia. If you ask anyone who grew up in the 1990s about the Indonesian-language opening theme song to Doraemon, they will be able to recite most of its lines by heart. As boys became older, they were drawn into Saint Seiya and, to a lesser extent, Dragon Ball. For girls, Sailor Moon was quite popular, as well as Cardcaptor Sakura toward the end of the decade.

What was it like to be a part of anime fandom at the time? Manga had an important role in spreading the popularity of anime, to the point that the most popular manga series often sold more than local fiction novels. (See Quora for more.) Doraemon in manga form was just as popular as the anime series on television. At one point, my family owned all volumes of the Doraemon manga. My siblings and I would read them over and over, and the pages and covers became worn and torn. At school, friends would exchange their recent manga purchases and show off their school supplies featuring their favorite characters. Gadgets from Doraemon such as the Bamboo Copter and the Anywhere Door became part of the Indonesian pop culture lexicon. Children were soon able to imitate the form for throwing the Kamehameha attack from Dragon Ball.

Was the Internet a part of fandom at the time? The Internet did not reach the general Indonesian populace until the mid 2000s. As fans of Japanese cartoons, children could only connect with each other at school when they were growing up. Around 5th grade, acting on a suggestion from my parents, I built a small business renting my own manga and comics collection to other students. At first, it was only to my own classmates, but soon students from other classes began coming to me to rent my collection. Unfortunately, the school forced me to stop my renting business when teachers started to learn about it.

Do you remember your first convention? I only became a modern fan of anime around 2009 and 2010, quite late compared to other fans in the United States from my generation. As such, I only attended my first convention in 2013 at Sakura-Con in Seattle. I was a fan of Sword Art Online, having been a fairly dedicated player of MMORPGs, and was enticed by the line-up of Sword Art Online guests. Being able to meet industry professionals and anisong artists was an eye-opening experience as someone who was learning about this side of the fandom for the first time. When I moved back to Southeast Asia later that year, I began attending regional conventions and events such as Anime Festival Asia more regularly. There, I connected with other fans and learned about how the anime industry has changed in the 15 years of my absence from Southeast Asia.

Today you work for an anime company, MyAnimeList. How did you go from fan to pro? Renting out manga since little might make you think I’ve been a professional since little, but that’s not the case at all. At the time, it was still a child’s hobby, and my parents just thought it was a way to put that hobby to good use. (Even today they encourage me to think about how I can make money from my anime hobby.)

When I started exploring more anime after college, I was already a fairly active editor on Wikipedia. As I began to discover new anime and manga I enjoyed, I poured my energy toward improving the Wikipedia articles of these titles. Last Exile (https://en.wikipedia.org/wiki/Last_Exile) and Twin Spica  (https://en.wikipedia.org/wiki/Twin_Spica) are two examples of articles which I rewrote from scratch and attained Good Article status. Being a member of WikiProject Anime and Manga helped me develop an eye for researching various materials and sources on the industry. Along the way, I essentially ended up teaching myself Japanese without any classroom instruction in order to help decipher the material I was reading.

I lost interest in Wikipedia at some point and started submitting modifications to the MyAnimeList database to improve the accuracy of information there. MyAnimeList’s database moderating team is always shorthanded, and recruitment drives are held every few years to replenish the moderator ranks after they thin out due to attrition. During one such drive in 2012, I was invited to submit an application to become an anime database moderator. I initially had no intention in applying until one of the database administrators reached out to me after she noticed my meticulous submissions.

As a database moderator, I came to learn more about the industry and eventually renewed my interest in writing again. I began writing occasional industry news stories for MyAnimeList. When we were acquired by DeNA in 2015, we decided to formalize a news team structure to create consistency in our reporting. Based on the objectives we discussed with DeNA, it was decided that my experience as a Wikipedia editor would be useful in creating a MyAnimeList standard of reporting. I was made news managing editor and am still in that role today, while still moderating the anime database on the side.

How did becoming a professional in the industry change how you watch anime and participate in fandom? My watching habits have changed pretty dramatically. I used to be a more prolific watcher, sometimes watching 10 to 15 shows a season. Today, however, I will admit that I haven’t watched a single anime while it’s airing in more than a year. I probably watch one show in any given season now. You might wonder how I can remain an active member of the industry if I haven’t been watching anything, but I will say that this is definitely possible. I’m still aware of all the trends and what titles are popular, but after a while you actually don’t have to watch that much to still stay in the loop with the fandom.

The timing of my joining the MyAnimeList team was rather fortunate. About a year after I joined the staff, I was able to relocate to Southeast Asia for a few years thanks to my day job. This helped me explore the fandom in entirely different ways from the fandom experience in North America. I was able to visit anime conventions in different countries, and travel to Japan was also within reach. The influence of Japan in Southeast Asia is more prevalent than in North America, so it was easier to immerse yourself in Japanese culture, such as attending events by the Japan Foundation, going to concerts by Japanese artists, etc.

It was easier to get carried away by the abundance of Japanese culture events. I convinced myself to attend concerts by anime idols Wake Up, Girls! and THE IDOLM@STER in Japan. I traveled to Singapore to watch EGOIST and vocalist chelly perform live overseas for the first time. After becoming a professional, I became a much more active consumer of the anime culture rather than of anime itself.

In your experience, what’s the biggest contrast between anime fandom then and anime fandom today? The fandom today is a lot more fragmented, but in a good way. There are a lot more options in how one person can enjoy being a part of the anime fandom. Some will limit their enjoyment to just watching anime, but others may be more inclined to attend events and meet creators and artists directly, or even supporting a peripheral industry such as the anisong market.

However, as English becomes the dominant language of the fandom, I feel that the discourse on anime and manga has become less diverse. As North America becomes an important overseas market for the industry, I am concerned about over-representation of North American viewpoints in the English-speaking fandom. We have a term for this in the Wikipedia editor community: systemic bias. (See https://en.wikipedia.org/wiki/Wikipedia:Systemic_bias.)

Personally, I’ve grown tired of the generic narrative of an American fan discovering anime through Cowboy Bebop. There is not enough international coverage of fans at overseas events such as Japan Expo in Paris or Anime Festival Asia in Singapore. There is no discussion of how a series like Alps no Shoujo Heidi became popular in apartheid South Africa, or how Doraemon became a cultural phenomenon in Asia.

Global stories like these are the ones I would like to help uncover at MyAnimeList in the near future in order to help the fandom understand itself better and connect with other members in other parts of the world.

Richardson can be reached on Twitter and MyAnimeList

#83: Austin B

Age: 22

Location: North Dakota

When did you discover anime? Share as much as you remember. I’d say it was in ’99 or ’00 when I was around five or six years old. My older bro and I would run home from school to watch the Toonami programming block on Cartoon Network. We were always excited to see the latest episodes of Gundam Wing, Dragon Ball Z, Outlaw Star, Ruroni Kenshin, etc. All of our favorite anime.

What appealed to you about anime when you first discovered it? It was a whole different world of animation, storytelling. Worlds full of characters, settings and thought provoking themes that some Western animation lacked. It was a form of escapism for me to get away from a terrible childhood.

If it is not too personal for you, could you elaborate on how anime helped you through a difficult childhood? As a child growing up in North Dakota, I was bullied a lot whether it was because my last name sounds funny to kids or my being a skinny, geeky redhead unable to fight back. Anime was helpful in the sense that you had these strong, tough, badass characters that were ready to take on whatever obstacles stood in front of them. Gene Starwind from Outlaw Star and Kenshin from Ruroni Kenshin were always favorites of mine because they were such cool and badass characters that just so happened to be redheads. Anime was a form of escapism that could temporarily make me forget how cruel and unforgiving the world is.

What would you say was the most popular anime at the time? I’d say it was either Dragon Ball Z or Mobile Suit Gundam Wing.

What was it like to be a part of anime fandom at the time? Growing up, being a fan was hard. It felt like many people ridiculed and ostracized me because I was a fan of something that was different. Something that was against the norm, something most people didn’t understand.

Did that make you consider not watching it? Liking anime made me an outsider, but not once did I ever consider not watching it. I enjoy anime too much to do that. Growing up though, liking anime made it really hard to make friends.

Was the Internet a part of fandom at the time? Growing up, Internet wasn’t part of the fandom for me. I just told people I liked anime and I hoped for the best.

Can you tell me about meeting other anime fans? As a child, some people I foolishly believed were my friends didn’t like the fact that I liked shows such as Dragon Ball Z. Not every interaction was bad though. Nowadays, I’d say that most of the friends I’ve made are people I’ve met after graduating high school. The friends I finally have are real friends that do enjoy anime.

What was the first fandom you got really invested in? How did you express your fandom? The first fandoms my older bro and I got into were without a doubt Dragon Ball Z and Gundam Wing. We had all sorts of Dragon Ball and Gundam merch growing up. Shirts, video games, toys, etc. you name it. That was how we expressed our fandom.

Is your brother who got you into anime still interested in anime? Do you still watch together? My older bro and I pretty much discovered Toonami at the same time, so I guess I wouldn’t exactly say he introduced me to anime. We don’t really watch anime together anymore because we’re always so busy with work and life these days. I’d say I watch more anime regularly than my older bro, but we still reminisce about all the classic anime we watched on Toonami. As far as recent anime goes, the two of us really got into Attack on Titan when that first came out.

For you personally, what’s the biggest contrast between anime fandom then and anime fandom today? Personally, I feel that the biggest contrast between anime fandom then vs. anime fandom now, is that it’s much more open. Back then, it felt like being an anime fan came across as weird. Now it’s so much easier to talk about liking anime because it’s much more accessible. It could also be that I might have developed a thicker skin over the years and that I stopped giving a damn if people thought I was weird for liking anime or not. History shows us that people become hateful and afraid of things they don’t understand, but when given enough time and exposure, maybe they can learn to love and respect certain things. Anime is one of those things.

Austin can be reached on Twitter

#82: Zubat

Age: 23

Location: Michigan

When did you discover anime? Anime was something I had seen at various points throughout my life. Growing up, Pokemon and YuGiOh! made it into my Saturday morning cartoon block every so often, and in college some of my roommates would occasionally have friends over to watch whatever “popular” show they had discovered at the time (Sword Art Online and Steins;Gate being the two I remember most clearly). But I didn’t “discover” anime for myself until April 2015, when right near the end of my time at school one of my roommates decided to spend his whole Saturday watching the first 25 or so episodes of Soul Eater. I was present and while at first I only sorta paid attention to what he was watching, by around eight or nine episodes in I had actively joined my roommate in watching something that felt FAR different from and much more emotionally engaging than the usual anime I had been exposed to.

Fast forward some months from there after graduation, and I mentioned to a friend offhand that I had been introduced to Soul Eater and was curious if there were more shows that would be good to start out with. That friend recommended a short 12-episode show called Madoka Magica, and well… judging by the “Puella Magi” in my Twitter handle I don’t think it’s an understatement to say that it literally changed my life. Madoka was a revelation for me—never before had I been exposed to media that was simultaneously so emotionally devastating and uplifting, and it left me shell-shocked for the better part of a week as I grappled with the numerous themes I saw in the show’s story. Though it would still be a few more months before I fully dove into anime, these two moments always come to mind when I think about where I started with anime.

What appealed to you about anime when you first discovered it? One of the key parts of both Soul Eater and Madoka Magica that appealed to me in my first watch was the surprising emotional depth and compassion shown by and towards their characters. I had never seen media that really emphasized the emotional connection between characters besides a few rare cases—before anime, media was often simply entertainment save for that one special show/movie. But Maka’s steadfast pursuit of and desire to connect with Crona was stunning to watch. Here was a show that was saying, “Empathy and compassion and fighting to reach the hearts of others are just as important as the fight happening around them.” Soul Eater was already appealing enough on the action and comedic bits but to have what to me was such a clear emotional message and themes was stellar, and I wanted more media like that.

Madoka Magica hit this mark as well. I related deeply with Madoka and empathized just as much with Homura throughout my first viewing of the show, and the revelation of the show’s finale left me thinking over what it had meant to me for nearly a year.

Past these first two big anime, shows like Noragami and Monogatari, a KyoAni trio of anime, Railgun, and many more shows continued to deepen my love for the unique ability of the medium of anime to convey deep, powerful emotional themes and stories in a way I had never experienced elsewhere. It drew me in and gave me a way to feel during a time where I was struggling to do so; and even now as I’ve moved into a better spot in life, I still remain deeply in love with the emotions anime creates in me.

If it’s not too personal, could you elaborate on how anime helped you through a difficult emotional time? My senior year of college was one of the most difficult years of my life. I had invested a lot of my emotional energy into my different clubs and their communities in the three years prior; and while I don’t regret my decision to put so much of myself into doing so, I was left completely burned out from those efforts. Combine that with the usual college stresses and a hostile roommate situation and I had little to no energy left to reach out for the support I needed for the entirety of my final two semesters of college. The result of this was me coasting through over 9 months of my life with little ability to express what I was feeling, in addition to being limited in my ability to empathize with others as well. For someone like me who is naturally very compassionate and empathetic and others-oriented, to not be able to express those sorts of emotions was devastating and identity-shattering. It led to me questioning whether all of the effort I put into building up the communities I was a part of for my four years of college was really worth it.

But then I found Madoka Magica. The show that I expected to be a parody of magical girl shows (not joking!) was instead one comforted and encouraged my heart and gave me a way to feel again through its characters, even if I didn’t realize it at the time. Despite how hard it had been for me to connect with others for months up to that point, it was easy for me to understand and connect with Madoka and Homura’s thoughts, actions, and emotions; something about their characters resonated with me, as if I was implicitly able to understand their feelings as if they were my own.

[Major Madoka spoilers starting here] In particular, Homura’s repeated efforts to reach out to Madoka, her continued fight to share her feelings with Madoka despite all the pain and sorrow it brought her, was something I strongly connected with having experienced much of the same over my four years of college. And Madoka’s response to Homura’s efforts was a quiet affirmation of all of my own efforts over that timeframe: “I know just how hard you tried to help me across all those timelines… you were my very best friend.” It felt like the show was telling me, “Even though you’ve been left hurting and weak from your efforts, they didn’t go unnoticed, and they were worth the effort.” The person you are, the person you’ve become is something beautiful, and it’s ok to continue to feel the compassion that’s such a crucial part of who you are.” It was one thing for me to feel the emotions I did towards Madoka Magica‘s characters or to empathize with them as they struggled against the cruel realities of their world, but for the show to speak so directly and clearly into my life at that time… there aren’t words that can adequately describe how much Madoka Magica means to me.

There have been other shows that have had helped me through hard or trying times in my life: Oregairu and Sakurasou both helped me remember and celebrate some of my best friendships from college, while New Game and Shirobako offered me encouragement while I was dealing with the stress of starting to work full-time last year. But no show has ever resonated with me as deeply as Madoka Magica did; it remains the most important show I’ve ever watched and continues to reaffirm the person I am today. It is something I will likely cherish for the rest of my life.

What was it like to be a part of anime fandom at the time? I spent a large portion of my first year watching anime on my own, so it was hard to say I was really part of the larger fandom. I would ask friends who I knew watched anime what they thought would be good shows to watch, but for the most part I looked around every so often for shows and watched what sounded good. Anime was still solely a personal endeavor for me at that point, so it was mostly keeping to myself unless I knew prior of someone who I could talk to about what I was watching and ask for recommendations.

It was many months before I would discover r/anime, close to a year before I considered taking part in any discussions on the subreddit, and my involvement with the Twitter community only started at the beginning of the New Year. At the time, I only connected with people I knew IRL who were also into anime, and would spend time talking with them about what I or they liked and what would be good to watch, later also watching shows together.

Do you remember your first convention? My “first” convention was 2015 ColossalCon in Ohio; I was only there for a day, it was before I discovered anime, and ColossalCon is also… not that much of an anime con (people are there for the giant indoor waterpark, among other reasons). But I have plans in the works to attend AnimeNorth as my first “real” convention next month and I’m looking forward to the new experience that will bring!

It took me a while to respond, and your first con, Anime North, must have already happened! Can you tell me about what it was like? What were the highlights? What surprised you? Anime North was a great experience, if a bit different than my usual norm for day-to-day plans. I’m the type of person who likes to fill every day with plans while I’m traveling so I feel like I’ve gotten the “full value” of my time on vacation, but oftentimes it felt like the best option was simply to wander the dealers room and browse the artist alley without any set “goal” in mind. I wouldn’t say I was terribly surprised by this—I knew there’d be a lot of free time in my schedule where there wasn’t a panel or signing that I wanted to attend—but I was surprised by how much I enjoyed simply wandering and looking around at what all the dealers and artists had to offer, even if I didn’t plan on buying anything from them.

I think the biggest highlight was simply being able to spend a weekend surrounded by other people in the anime fandom. I don’t really talk about my anime interest with many people in my day-to-day life (it’s not something I feel comfortable sharing at work nor do I have much desire to talk about it there), so to spend a weekend with thousands of other people all openly sharing our interest in anime and related fandoms was a pretty joyful experience. And as a smaller part of that, being able to meet some of my Twitter friends who happened to be attending was another great part of the experience. It may seem basic to others, but it was nice to simply have a weekend where I could celebrate my love of anime with friends and many, many others.

I actually also attended Anime Expo recently as well! That experience was mostly similar to Anime North, though on a much larger scale. Anime Expo did have the advantage of having Anisong World Matsuri with Aqours performing on stage, and well.. anyone who’s been following me on Twitter these past four or five months knows how big of a fan I am of Love Live Sunshine, haha. But the AWM concert was an incredible, joyful experience that I hope I get to experience again someday; and beyond that, I actually managed to have a great weekend at AX despite the issues many people reported with the lines (I only missed one event due to a line being capped but was able to attend another event as a result, and I managed to get in all other events I wanted to see). I don’t know if I’ll be attending AX specifically next year due to costs, but both Anime North and Anime Expo were great experiences and I’m definitely looking forward to the next time I can get out to an anime convention.

Zubat can be reached on Twitter

#79: Tony Y (Manga Therapy)

Age: 34

Location: Brooklyn, New York

When did you discover anime? In 1994, I was over at a friend’s place and he had a VHS tape of Dragon Ball Z (Cantonese-dubbed). He told me that we should watch it. I said “sure” and it was one of the episodes from the Frieza arc. That’s how it all began.

What appealed to you about anime when you first discovered it? The fact that people actually died and bled during fights. I grew up on series like X-Men, Power Rangers, TMNT, Transformers, etc. where the bad guys all got away and good guys didn’t really die (well, Optimus Prime did die in the TF movie). Seeing how different it was from American cartoons got me interested. The character, Vegeta, fascinated me because I learned that he was a villain but turned reluctant hero (albeit slowly during the time). I didn’t think bad guys could change, so that drew me more into the world of anime.

What would you say was the most popular anime at the time? I can tell you from my experience that Dragon Ball Z and Sailor Moon were EVERYWHERE in Chinese-related neighborhoods in NYC. The Chinatowns in NY had merchandise related to both series.

What kind of stores did you go to for anime and how much did it cost? Did you watch anime in Chinese? There were a few stores in Chinatown. I remember fansubs/original JP VHS tapes were sold in big shops and small ones. I bought fansubs from a tiny kiosk in the basement of a little mall called Elizabeth Center in Chinatown. I got tapes of DBZ/DBGT that contained two to three episodes each and a couple of anime movies for $3-$5 each. There was another kiosk in Elizabeth Center that sold Chinese-dubbed episodes of anime. I got some Dragon Ball GT Chinese-dubs for about $3, but the thing was that each tape was one episode.

I also forgot to mention that I rented Chinese-dubbed episodes of GTO, Rurouni Kenshin, and Initial D from a small Japanese stationery store in Chinatown right near Elizabeth Center. I signed up for some program and I think it was $1-$2 per tape and each tape had multiple episodes. This was about 15-16 years ago. All those places are now gone though thanks to how things changed in the late 1990s to early 2000s.

What was it like to be a part of anime fandom at the time? I never thought I was a part of the fandom at the time because I was only like 12-13 and there was no internet accessible to the public yet. No one I knew at school was into anime because of the lack of access to VHS fansubs around my area. You had to go to places like Chinatown to get them. You know how some of the elder statesmen proclaim how lucky today’s kids are. It was like that.

Was the Internet a part of fandom at the time? Was IRC even around in 1994? I never connected with fans while getting deeper into anime. I kept to myself mostly.

Tell me about the first time you DID make an anime fan friend. My first actual anime friend was one of my little cousins actually! I used to hate him at first when I was a kid, but I invited him over to my place to play PlayStation games when he was about 9-10. I let him play all the PS Final Fantasy games. At the time, he started watching Dragon Ball Z when it appeared on Cartoon Network. Over time, he came over a lot to do homework, play games, have fun, and talk about geek stuff. He’s going to be 25 this year and we still keep in touch over anime/manga (he told me his boss at his current job is obsessed with watching anime and reading manga on Crunchyroll). I guess you can say that a relative was my first anime friend. 🙂

Do you remember your first convention? My first anime convention was in 2003. It was the Big Apple Anime Fest. I remember watching Initial D: 3rd Stage and attending a few panels by myself. I also met one of my best friends who I still talk to today. I also got some goodies there too, so it was a fun experience. Yet I didn’t go to a con again until 2008 for New York Anime Festival.

Why did you start blogging about anime? I blogged about anime because I wanted to share how anime/manga shaped my life and what lessons it’s taught me. I had some success blogging about Japanese music, so why not shift it to something I know more about? Granted, I wouldn’t say that I’m an expert on the subjects, but I take joy and pride in learning new ideas and talking about them with an audience that’s interested.

How did blogging about anime change the way you interacted in anime fandom? Blogging introduced me to the anime and manga industries. I’ve gotten to meet a variety of interesting people that I thought I would never get to meet.

However, I do feel that there’s too much going on in terms of conversations on anime and I can’t handle all of it. It feels like you have to know so much about this series and that one to the point that you have to prove something to someone or a group of people. Maybe I feel that some anime fans are chasing some kind of status that doesn’t mean much in the end. I tried to join an anime club back in college, but I went one day and never came back afterwards.

That’s probably why a relative was my first anime friend because I was a mentor to someone who didn’t know much. Also, I realized over time that anime fandom and manga fandom are two totally different types of groups. They don’t always intertwine. I’ve met manga bloggers who don’t watch much anime and I’m okay with those folks. These days, I follow mostly manga as I grew up reading a lot when I was a kid. I will still have conversations with anime fans, but I do wish I can talk about certain manga (i.e. My Lesbian Experience With Loneliness, Complex Age, I Am A Hero, Vinland Saga, Golden Kamuy) regardless if they get anime adaptations. Books are powerful.

In your experience, what’s the biggest difference for you between anime fandom when you discovered it and fandom today? This is a very tough question for me to answer because I never hung around anime fandom as I never went into IRC to chat with other anime fans back in the day. Yet if I take the time when I first attended my first anime con in 2003 and compare it to 2017, I do suppose the biggest difference is acceptance.

I was teased for being so into anime when I was a senior in high school. Those same kids today probably won’t be teased as much. This generation and our generation as well are a lot more expressive about being anime fans because of Western culture’s continued mindset of encouraging the self. Granted, we still have a ways to go. I still get comments about anime being “sexual” because of nuances in Japanese culture.

Also I feel that with anime/manga being mostly relegated to the Internet, it creates an isolation effect on fans, which ties into what I just mentioned about Western culture’s influence. It’s depressing to hear things like anxiety/depression/suicide being associated with anime fandom. I’m glad that Crunchyroll wants to do events like CR Expo because right now, we need a united community of anime fans that will be there for each other despite whatever differences we have.

Tony can be reached on Twitter.

#77: Jay

Age: 22

Location: Phillippines

When did you discover anime? My anime experience stemmed from shows such as Slam Dunk and Yu Yu Hakusho in the turn of the millennium; but I was only hooked hard into anime after watching Mai-HiME.

What appealed to you about anime when you first discovered it? Slam Dunk and Yu Yu Hakusho were among the series that kept me glued to the screen every afternoon. Mai-HiME kept me glued as well, but to a point that I kept (day)dreaming of Mai in slice-of-life situations.

Sounds like you really got hooked on Mai-HiME. What was it about the show that hooked you, and how did you express your interest in it? I remember writing a poem about Arika Yumemiya and Nina Wang (Mai-Otome) and a slice-of-life story starring Mai (I forgot this one). I even tried to draw a comic strip (I almost forgot this, too). As for forums, the most memorable Mai-HiME-related forum I got into was the Mai-Universe forum at Gaia Online.

I was writing slice-of-life fanfics on paper as I keep daydreaming, like, what if Mai resembles the average Filipina who loves to cook and likes to sing? Those kinds of daydreams lightened my heart. I aimed for a lighthearted slice-of-life where I’d see a Mai Tokiha that is ready to cheer me up.

What was it like to be a part of anime fandom at the time? It gave me a window of opportunity to connect with fellow fans, and in turn it led to me blogging about the community.

Tell me about how you went from watching anime to blogging about fandom. How did that opportunity arise? The ZEN Otaku Honbu forums was my gateway anime forum where I learned about local anime events. I already had a website and a blog at that time, so I took the opportunity to share my experience about it. The fondest memory that I had was when I was detailing my route and sharing how much it will cost to get to venues such as the SMX Convention Center in Pasay or at Megatrade Hall in Mandaluyong, two of the most common destinations for anime- and otaku- related events.

We were paying to get inside events to cover it at first, but we got the opportunity to actually be a media partner for an event called “Otomonogatari” in 2012, where local cover bands gather to hold one night of music.

The rest was history—we applied for media partnerships for major and community events, were accepted, and we covered it either on our website or on video. That’s what I’ve been doing frequently with my friends while I was in college, but I still find time to do it while I have a job.

Was the Internet a part of fandom at the time? Yes. I was almost finishing high school when I was taught about 4chan. We connected through Facebook as it is a common point, though forums were still the hype back then.

Today 4chan kind of has a reputation. But it sounds like you spent a lot of time there early in your anime fandom. What was it like? It was there that I learned memes, just like most of us who dabbled on either 4chan or Reddit or so. Nowadays, you can see memes on Facebook, Tumblr and Twitter, but nothing beat the likes of 4chan. I laughed at the anime memes there (especially the “Consider the Following” meme).

Do you remember your first convention? Anime Overload Festival 2009. It was my first time visiting south of Metro Manila, and if I had a decent camera back then, I’m sure I’d be getting photos of cosplayers.

In your opinion, what’s the biggest difference between anime fandom then and now? 

  1. Yaoi fans were not as expressive way back then. There were events related to Yaoi before, yes, but it was only around the 2010’s when I realized that the Yaoi fandom got expressive. From Tumblr, then to Free! and eventually to Yuri!!! on Ice.
  2. Idol anime such as Love Live! and THE IDOLM@STER gave birth to the concept of “Primus.” It’s a bit hard to explain this in a nutshell, but I can describe Primus as someone who loves a specific anime idol character so much that he/she tries his/her best to get all the stuff of the said character, which then increases how the fan loves that character so much, therefore having the bragging rights to be called “____ Primus.” I think it’s staying in the community for good.
  3. In relation to #2. I am happy that more anime-related movies are coming to the country at present. We’ve also had the opportunity to screen μ’s Final Love Live, Aqours’ First Love Live! and other live events.
  4. In my circle of friends online, I can see some of them saving up money to go to lives in Japan or other parts of the world. Some of them even went to Anime Expo’s Anisong World Matsuri.
  5. May I also include “memes” in this list?

Jay can be reached on Twitter

#76: Filip V

Age:  33

Location: Belgium

When did you discover anime? As a six or seven-year-old kid in the early ’90s, with not much on Belgian television for kids, I watched the French “Club Dorothée.” It had a great line-up of great ’80s anime classics, like: Saint Seiya, Captain Tsubasa, High School! Kimengumi, Ranma 1/2, and even Dragon Ball Z. I didn’t understand anything of it (I don’t speak French), but I enjoyed watching it anyway.

With local TV-channels broadening their scope for kids and Club Dorothée stopped, I sadly enough forgot about anime even existing after a while. But later on, in the early 2000s, the Anime Boom that was happening in the US also blew over to Belgium and I was re-introduced to anime, with ’90s and early ’00s classics like Gundam Wing, Pokémon, Yu-Gi-Oh, Rurouni Kenshin and once again: DBZ.

From there, with broadband internet finally being a thing in Belgium, I started my anime journey.

For your reintroduction, what was the TV block that was a part of? Was it in English or another language? Two TV channels had an anime block, airing on weekdays between 16-18 o’clock [4-6 PM] (if I remember correctly). Both channels relatively new, with a similar target demographic of kids, teens and young adults.

– “VT4” had a block with Pokémon (Dutch), Medabots (Dutch), Gatchaman (English) and Yu-Gi-Oh (English)

– “Kanaal 2” had a block with Digimon (Dutch), Crayon Shin-chan (Dutch), Gundam Wing (English) and Dragon Ball Z (Ocean Dub)

Due to those shows being aired on a (almost) daily basis, a lot of them had a lot of re-runs. I think I saw Gundam Wing like three or four times before it was swapped with another show.

I know VT4 had reruns of some of their weekday shows on the weekends (no, really!) + a few more, like Sailor Moon and Rurouni Kenshin (English).

In terms of dubs, think of it as follows: If the target demographic was young kids, the anime would be dubbed in Dutch. If not, it was English with Dutch subtitles. That’s basically what happens to Flemish/Dutch television overall.

What appealed to you about anime when you first discovered it? The expressive animation, storytelling and action that was unheard of in most kids cartoons from the ’80s.

What would you say was the most popular anime at the time? Saint Seiya, or as it was named in French: “Les chevaliers du zodiaque” (the knights of the zodiac).

What did your family think of your interest in anime? My parents knew that I was a fan of animated series overall but couldn’t tell the difference with me watching classic cartoons, “those yellow guys” (The Simpsons), or anime. Trying to explain the difference was like trying to talk to a wall. They accepted it as typical concerned parents who would rather have their kid spend more time studying instead of watching TV. My sister is seven years older than me and was more of a non-presence at home (either studying, spending time with her BF of going out), so I doubt she ever formed an opinion of my “watching habits”.

What was it like to be a part of anime fandom at the time? No clue! Without internet available, I really had no idea what the fandom was like. And I only heard later on from other Belgian people my age that they discovered anime in exactly the same way as I did.

Was the Internet a part of fandom at the time? No, so I didn’t talk to other fans for a while. Most kids from my town were either not interested in cartoons/anime, or only in the hype show of the moment: Transformers, TMNT, Power Rangers, etc. And those that were interested in more niche things just didn’t want to admit it, out of fear of being bullied.

Heck, when I was twelve and I said in class that I still enjoyed watching the Disney Afternoon block; a lot of kids just laughed at me and I even got reprimanded by teachers for “still watching cartoons at my age.”

Tell me about what it was like once you finally got broadband internet. How did you use it as an anime fan? A lot of the shows I watched were on endless reruns while waiting for new seasons, so first thing I did when I had internet was trying to find more of my favorite shows: Yu-Gi-Oh and Dragon Ball Z. I would download episodes and visit fan-sites to find out more info about the shows in general. Boy can you imagine my shock when I found out there was a better dub of DBZ, not to mention when finding out that Gundam Wing was just one of many Gundam series? Jaw-dropping moments.

I was a regular visitor (and later even a moderator) on a few anime forums that were focused on DBZ, like the “DeadZone Forums” and the Dutch “DBZ-Media.nl” (both now gone) where I got influenced to watch more and more anime and where I got the knack for writing fan fiction (first obviously DBZ related, then my own stories later on).

You said it was hard to make anime fan friends at first. Tell me about the first time you made friends with other fans. The first anime friends I made were on previously mentioned forums, especially the Dutch anime forum. It felt good to know that there were more people that spoke my language that were fans of anime. But while there were a few forum meet-ups in real life, they remained “far-off people”.

Real anime friends I started to make when I started playing Yu-Gi-Oh in real life in Ghent. Most players got into the game due to (one of) the anime series and most of them ended up being anime fans in general.  That was the first time I started being friends with people that had the same interests as me and didn’t live on the other side of the country (in a matter of speaking).

Do you remember your first convention? Yes, that was back in 2006: F.A.C.T.S. in Ghent, Belgium. Back then, I didn’t even knew it was called a “convention”. It was a one-day “event” that happened and was advised to me by a friend.

There was a good amount of people, and I was surprised to see some people being dressed up in military outfits, storm troopers and even Xenomorphs. And I was most interested in the Guests: Anthony Daniels, and some of the cast of Allo Allo (Guy Siner, Richard Gibson and Kim Hartman).

I enjoyed it so much, I returned there pretty much every single year. And I’ve seen the yearly con grow and expand so much over the years: From small one-day event to the (self-proclaimed) “biggest con” in the BeNeLux.

When did you start blogging about anime, and why? That was back in 2012. I had been playing Yu-Gi-Oh for a few years now and was following other Yu-Gi-Oh related blogs at the time. And while I quit writing fanfiction at the time, there remained the “need to write stuff”. It’s hard to describe this feeling, but you’ll probably understand since you’re a writer yourself.

So I ended up creating a blog myself. And while it did start out solely focused on Yu-Gi-Oh, I slowly also started to write about anime in general.

[You can read Filip’s blog here.]

Are your fanfics still online somewhere? Sadly enough, no. Since it was posted on forums that have been long gone, they’re no longer visible. One of the fanfics I co-wrote with others (based on Slayers/Record of Lodoss War and the Shining Force Games) had been archived by one of the co-writers shortly before it was shut down. He shared it with us afterwards so that we had some sort of “memory” to it. But the DBZ one is completely gone.

My main story was “Futuroscope”, about a kid who incidentally wished himself to the far future, where the earth is being attacked by aliens and he has to help defend the earth. Think of it as DBZ meets Stargate in a Futurama-type setting.

Sadly enough, also taken down when the forum it was posted on was shut down. I still have the drafts locally, but I need to rewrite the earliest chapters before I ever dare to publicize them again in any form.

In your experience, what’s the biggest contrast between anime fandom then and now? I think the biggest difference is that today, fans have an appreciation for anime aimed at young kids. When I joined the anime community in the early 2000s, there was a hatred towards “kiddy anime” like Pokémon, Digimon, Beyblade, and many others. It got dismissed by most, and people that enjoyed watching those shows were often hated upon. Think of it as “hardcore gamers” hating on “casual gamers.”

But today, most people in the anime community and a lot of anime YouTubers have admitted that they got into anime thanks to those “kiddy anime.” Look around on the internet and you’ll see many people praise the shows that were hated on in the past, like Digimon or Pokémon. And I think the people that were part of the community back in those days have started to accept that this has been a good thing for the anime community in general.

Filip can be found on Twitter