Category: North America

Age: 22

Location: California

When did you discover anime? Share as much as you remember. When it comes to anime, I feel like my story is a bit of an odd one. I only thought of anime to be some cartoon, considering the first time I ever watched an anime was when I was 5 years old. My first anime ever was Yu Yu Hakusho, but I had only seen it as a cartoon, or rather, that was the label I stuck with since I didn’t know it was called “anime.”

I kept on watching the stuff I’d see on Cartoon Network and Toonami actively, up until Toonami’s departure from TV as a whole, so I was a bit lost and didn’t know where to continue Naruto from, since that was the big thing at the time for people my age, which, I was 9 years old I think?

I went onto Youtube and typed in “Naruto vs Sasuke”, only to find a bunch of AMVs, but I was under the impression that Naruto had died at the end of one of them, so I cried pretty hard at first until, at the end of the AMV, there was a little message. “Want to see more like this? Then go to [pirate site redacted]”, which made me laugh at first, but when I went onto the website, I was so amazed at what I had seen. There were so many anime, subbed, dubbed, I didn’t even know what it meant, I just kept on shouting at the screen, being all like… “THAT WASN’T ON TOONAMI, NOR WAS THIS. WHAT IS ALL THIS? IT’S SO COOL!” I was pretty excited, so I started Naruto from the beginning with it being subbed, only to find the experience to be a better one since I feel as though I missed out on some stuff watching it in English, maybe a script issue or so, which is a possibility.

After finally coming to terms with knowing what anime truly is at that point, I had decided it’d be a little unfair for me to call Yu Yu Hakusho my first anime since it was a cartoon only to me when I had witnessed it. My newfound knowledge of these animations being referred to as anime began with one titled Seto No Hanayome aka My Bride Is A Mermaid, which is honestly the Little Mermaid on acid. It turned out to be a romantic comedy, with quite the beautiful ending in the long-run, so I fell in love with more stuff from that moment on and here I am now, talking about it haha.

What appealed to you about anime when you first discovered it? You know, it’s a bit awkward, but I actually have a video regarding this!

 

The video was on Youtube but got taken down due to the Rugrats sadly, since a lot of this was under fair use too. It’s a weird video, has some odd editing, but I love it, my friend Aidan edited it for me.

Since I don’t know as to whether or not people will have a chance to watch the video, I can explain it here as well:

When I first discovered anime, since I’ll roll with Yu Yu Hakusho being my first and all… I kind of liked the fact it was something different? It had detailed looking characters, the episodes weren’t always just episodic, but also it had… a meaning to it, something that I was aware of when watching cartoons like the Rugrats, although, something felt different with anime. Yu Yu Hakusho taught me about death, which is what I go on about in my video I linked up above.

I was 9 years old when Yu Yu Hakusho ended, but I don’t actually recall seeing it to the very end on Cartoon Network, since the rest of it, I had viewed online at a later point. It’s still my first and it was, as people put it, the gateway drug that had gotten me addicted to everything else.

What would you say was the most popular anime at the time? Dragon Ball Z was without a doubt the most popular anime at the time. I remember it being talked about a lot at elementary school. Even I had fallen victim to it by buying all of the games that would come out… playing them all day until it was time for bed. I even dressed up as Goku for Halloween one time, which feels weird to me looking back on it now.

The next most popular series had to be Naruto though since everyone assumed it was about a ninja in training wanting to rule the school. I certainly can’t blame them though, considering that the first promo for it towards the end literally said, “BUT ONLY ONE WILL RULE THE SCHOOL!” This kind of made kids all around the school do the Naruto run or whenever they would get angry, they would act all wacky like Naruto in an angry state. It was… weird, but hey, I loved having fun with all my school friends like that, haha.

What was it like to be a part of anime fandom at the time? I can’t really say that I was in a fandom honestly. Nobody really liked anything outside of Dragon Ball Z, Naruto, and Pokemon. I used to write Pokemon stories with my friends as a kid. We each wrote the stories from the perspectives of our individual characters, so something unique was bound to happen. It was a fun writing experiment as a kid, it’s more of the reason why I have this undying love for Pokemon regardless of the form it’s in, but only my friends know that. It may be a bit unhealthy since I get a bit too into Pokemon with all the immersive writing, but I like doing that. Don’t let the kid in your heart die!

I’d love to see your Goku Halloween costume or any old photos you’d like to share with me.  Sadly, all our old photo albums are in the storage unit we have. We probably won’t be going to it anytime soon, but I do have a photo of something really special to me.

This is the Macross Delta Walkure 3rd Live Show Blu-Ray. My girlfriend and my friends went out of their way to all pitch in money for this import, straight from Japan. They all know I really love Macross and for years, I’ve wanted official merchandise of it, but it’s always so expensive. Macross to me is honestly the best anime franchise out there, I absolutely love the work that Kawamori Shoji puts into it. I actually cried in receiving this, it made my day. It was recently too, earlier in 2019. It was supposed to be a secret Santa gift, but turned into a late birthday present!

Was the Internet a part of fandom at the time? If yes, how? If no, how did you connect with other fans? I didn’t start connecting with the anime fandom until around the age of 11. I mentioned earlier that I went onto some website called [pirate site redacted]. Well, the website had forums on it and it was my first experience with forums ever. The first real thing I had gotten to interact with on the forums was a fanmade Naruto story, going by the name of “Akira, Kanokage of the Three Mountains.” It was honestly a really cool story and I followed it for years, keeping up with every last update until the story was over. The guy writing it was passionate about the story. Looking back on it, it helped me put the finalized stamp on my dream of being an author one day. It’s a long journey for sure. I stayed away from episode discussions because I only cared about watching anything and everything at the time, but I always went for that fanmade Naruto story, always.

If we talk about how I connect with the anime community in present times, for five years I have been an admin on my page Enter The Fally Zone. I’ve been able to interact with a big community that has differing opinions, yet somehow, good civilized discussions of things with me. It feels nice to entertain people, to make them happy… to connect really. It’s a stellar experience for me that I wish everyone can have. I’ve come pretty far from lurking forums on that weird Naruto anime website and I’m happy that this has been my experience. So many people stop by my Facebook page, reaching out to me, asking how to reconnect with people through different means. It’s a bit odd at times considering my page is mainly an anime page where I entertain people with my opinions, reactions, and writings, but I like being able to talk about the personal side of things with my audience as well. I say audience, but… to me, now? They’re my friends and family that I can’t possibly replace or grow tired of. I love them all.

That’s why I’m overjoyed to do podcasts with my friend Critical Reikan who hosts a podcast called Weebspeak. We do it together most of the time and try to normalize the anime community one topic or interview at a time! This is my favorite one yet:

https://youtu.be/vNCUJ0InugM

It’s a podcast with the Anime Youtuber, Under the Scope. He’s my favorite Anime Youtuber who also values the community and experiences to be had with anime as much as me. I love his content and it’s dragged me out of a slump a few times as well.

I don’t want to lose this connection, ever.

Your anime-focused Facebook page is incredibly popular! Can you tell me what inspired you to start it? Well, I had joined Facebook in May of 2012. I didn’t really get much use out of it considering that a lot of my online friends were on Xbox Live every single day, so if I needed to contact them, it would be there. The same can be said for my real life friends as well since I would just see them every day after summer ends, it didn’t really matter how long we wouldn’t keep in touch for, we kind of just caught up to each other that easily. With that being said, I didn’t really want to continue with using Facebook since it didn’t have a point other than to keep in touch with friends that I haven’t spoken to in a long time or if something were to arise. That’s when my friends had informed me of Facebook groups and how I can probably find some good anime related ones. Upon joining this one anime group, which was… somewhat abusive, I felt a bit turned away from the community, just a tad- to the point where I’d much rather talk about anime everywhere else that isn’t Facebook, that is until I met this guy named Anthony James Cranny, who I refer to as Cranberry haha.

Cranberry, as I call him, is a very funny man and he had a lot of heart behind his words, so naturally, when I was invited to his new anime Facebook group, I was delighted. Thing is, we only knew of each other from seeing one another’s comments but hadn’t really had many conversations yet. That’s why in this new group of his, what got him to notice me was this post made by a girl named Gracie. She listed off every anime she watched, so I thought to give her a big list of anime recommendations in return, to which… she never came back after that. Cranberry saw me being talked up by all these people in the comment section after that and since my name on Facebook wasn’t my real name at the time, it was “Fally”, his reaction was, “Falsworth?! You’re here in my group?!” He then added me as a friend and he got down to business, saying he wanted me to be an admin, that I’d be good. I was a bit shy at first, but everyone loved my cheerfulness, my free-spirited mind, my young heart, and the relation I would have with anime whenever I spoke of it.

One night, Cranberry was drunk and he had just got done watching a non-stop run of The Twilight Zone. He came into the group, made a big post asking, “How many of you think that Fally should make a Facebook page under the name of Enter The Fally Zone? It’s not just mine, but one of his favorite shows and I think it’d be cool since the young lad takes people to a world that only he knows how to display.” It was a bit embarrassing to see him talking me up like that, but everyone else started commenting freely about me as well, saying that I should go for it, that one day, I could probably make a living off of it, that if my dream in life really is to be an author, then this would be the first step out of many, to be a writer, learn the ropes, and experience things that I never thought to.

Thanks to that, on January 20th, 2014, just a few days before my birthday that would be on January 23rd, I started my Facebook page under the name of Enter The Fally Zone. Now, the thing about it is, while it may be big now, there was a time where I almost lost sight of what I wanted to do with it. I was too stuck in the mindset of… making serious posts. I would interact with people, I tried too hard to gather a following for the page, but I also was so strict on my admins, who were good friends of mine that I wanted to help me out. I was pretty mean, I got absolutely stressed out over that page at the start because I wanted to be big… I wanted it to, well, I wanted it to look professional in case I ever was given a job opportunity, be it an article writer, reviewer, anything writing related really. I feel like it wasn’t until late 2015 that I finally realized what my page truly was for the people who view it. That’s when I feel like my page really started, not that day on January 20th, 2014, but sometime in March 2015 actually.

Surely you know of the series Kyoukai No Kanata! [Beyond the Boundary]. It’s one of my favorites honestly, as it is a very moving story in the long-run. Well, in March 2015, Kyoukai No Kanata: I’ll Be Here – Movie 1 was released. I watched it two weeks after it’s release. It was a recap movie, but I was reliving those powerful moments from the series when I had first watched it back in 2013. As I was posting about it, this guy that goes by the name of Alejandro (I’ll refrain from using his full name) had commented. Alejandro said to me, “You’re one of the better admins out there you know? It’s hard to find an anime Facebook page owner who is as down to earth as you are.” I thanked him, replying with, “Really now? I didn’t really think I was doing anything all that different, I just like to post my feelings about things, be it sad, happy, or angry honestly.” Alejandro replied with, “That’s what makes you great! You’re human… every other anime Facebook page just posts memes or mocks people for asking the anime name, even though some people may have problems with reading. You on the other hand always let people know how you feel and that makes us feel things too, it’s why a lot of us come back, or why I do at least.”

Alejandro and I got to talking about the saddest anime we’d ever seen when he told me Clannad resonated with him because his girlfriend died but he was determined to get stronger and keep living. “That’s why I decided I’d start helping everyone I meet, be it friend, stranger, or someone who just hates me,” Alejandro told me. “Helping people… making them feel welcome, being able to spread happiness to others so easily when they’re done… it’s something that just comes naturally to you, Fally. You probably don’t realize it, but the reason why I’m able to tell you my personal story, despite you not knowing anything about me beyond these comments is that I know you, I know the type of person you are already, so keep up the good work and never lose sight of it.”

I was crying from all of it, honestly, I was. I felt like telling him that I was sorry for his loss, but I thought that would be in bad taste. I only told him that for him, I’ll keep making people happy every single day if I could. That became the goal for my page. I post about anime, games, movies, all sorts of media… but that can take a backseat at times when a person just wants their day brightened up; that is the thing I value most. Because of Alejandro, my cold streak towards my page and what I was doing had been broken, but with it came the vision I should have had for it from the start.

I know this was really long… but that is what got me to start my page, but also what inspired me to keep my page going further. Fame is nothing to me, I just want to make people smile during their hardest times

What was it like to go from anime content consumer to anime content creator? How has that transition affected your relationship with anime fandom? Honestly, it’s hard to say. I’ve always been one to think outside of the box when it comes to anime, always looking for a deeper meaning, which I think I can thank Yu Yu Hakusho for, but other pieces of media have helped shape me into this person who desires more from the things I watch. Futurama and Rugrats are two of my favorite cartoons out there, not for comedic reasons, but for the valuable storytelling that can be found within it, the imagery is just powerful in a lot of them. With that being the case and all, when I did become an anime content creator, I didn’t feel much of a change until I realized what I’m bad at.
I’d honestly say that going from an anime consumer to an anime content creator was only jarring when I realized that people wait for my opinion on something. I felt like a regular consumer until once again, another thing happened in 2015. In 2015, Death Parade had come out. If you were to watch Death Parade and go onto Facebook hoping to see people talking about it, then you probably would have found a small community, but nothing big. I watched Death Parade weekly, talking about the themes presented in each episode, starting these big discussion threads, it was a lot of fun! Seeing those threads go from 10 people talking to 70 people talking to a whopping amount that reached the hundreds, being able to watch the size of my page grow while gaining thousands of reach along with these posts was stellar to me. When the Death Parade Blu-Ray was announced by Funimation, there were so many people tagging my page in the comment section of Funimation’s post saying stuff like, “I watched this thanks to Enter The Fally Zone,” and so forth. It was pretty cool and for the times to come after it, I knew that people had this expectation of me to really go in depth with the things I watch.

Do you remember your first convention? What was it, and what was it like? My first convention was Anime Expo back in 2015! It wasn’t the best experience since I had gone with my father who isn’t fond of anime at all whatsoever. His only anime watched is Dragon Ball Z, but he’s pretty toxic towards things he doesn’t understand, so being at the convention with him… seeing how he was a bit rude to the cosplayers, yeah, I didn’t really like that.

There were two panels where my father never questioned the look I had in my eyes though, one of them being the DAISUKI Industry Panel and the Pony Canyon Panel with guest Tomoyo Kurosawa!

The DAISUKI Industry Panel was mainly them talking about how many companies they’re involved with. The special part about it was Shou Aikawa’s appearance though since he came to state that he was disappointed in anime. He wasn’t fond of how anime can have all these genres, yet somehow fail to properly utilize all of them, which was his biggest concern that anime wouldn’t be able to adapt for later times at this rate. As for the panel with Tomoyo Kurosawa, she’s known as the voice actress behind Oumae Kumiko in Sound! Euphonium. I was really excited to hear about her role of Kumiko since that was the character I was fond of the most in the show. Something about her stood out, so to hear Tomoyo Kurosawa voice how she felt about her, talking about this identification within the character, it felt… magical. You just don’t get to hear those stories anymore from people after they get matched to a character.

I really enjoyed my time even though my father said a lot of questionable stuff that frustrated me. I think he was happy to see me get so passionate over something though, so maybe it wasn’t bad as I thought it was back then you know?

Has your dad come around at all regarding anime and your fandom? What does the rest of your family think? Answering honestly to that, it would have to be no. My dad doesn’t like anime, he still only has Dragon Ball Z under his belt, since he refuses to watch anything else, even if I know he’ll genuinely like some shows. He showed me so many martial arts movies as a kid, so you think he would be open to martial arts anime right? Nope, not at all apparently. It is a bit disappointing, but he at least understands how amazing animation can be. He thinks animation in general, for all things, has come a long way, which is true.

While my dad doesn’t like anime, he is happy that I can speak so passionately about it to people and that I have a following. He really wants me to make something of myself, but it can be a bit disheartening at times when he won’t read my written pieces that I’ve posted on Medium, but it’s what I’m used to from him, so I guess there isn’t much to be said.

The rest of my family are into anime because there are other anime fans within my family, such as my cousin Jonathan who has shown everyone in his household Interstella 5555, the animated film that uses music directly from Daft Punk. My mom also watches anime a lot thanks to me and is always recommending series to her brothers. My grandma watched Case Closed with me a lot when she was around, which was quite nice as well. My grandpa, on the other hand, he doesn’t really like to read when he watches his shows or movies but he did sit there giving his full attention to Kids On the Slope because it reminded him of simpler times. I catch him humming the anime rendition of “My Favorite Things”, every so often too, it’s nice.

My family isn’t against anime, they can find some things weird at times, but other than that, they think it is a great medium. They really think my passions to get involved with this industry in some form is wonderful, so I hope to please them at some point in the future, not for their sake, but for my own, since I have a lot of people who believe in me.

Isaiah can be reached on his Facebook page and Twitter. 

Age: 23

Location: Cambridge, Massachusetts

When did you discover anime? Share as much as you remember. I will separate this into three discovery periods: before I knew of the term “anime,” when I first learned about the term anime, and finally my rediscovery of anime and what it can really encompass.

Until I entered high school in America, I grew up in Hong Kong. When I was still an elementary schooler, one night I was watching TV and airing on the TV was some cartoon movie that enthralled me. It was in a Cantonese dub (of which I understood basically nothing) with rough English subtitles that would appear once every couple of lines. Eventually it was past my bed time and I had to submit to my parental overlords who would have just forcibly torn me away from the TV otherwise. It killed me that I had no idea what this movie was even called (much less that it was a Japanese cartoon) and I only realized much later after I had learned of the term anime that this movie was in fact Nausicaä of the Valley of the Wind. I went through the same experience again from half-watching Princess Mononoke, also presented with a Cantonese dub and shoddy English subtitles during those same childhood years.

I did not actually learn of the term anime until a friend of mine introduced me to Naruto during my middle school years. Today this is probably one of my marks of shame from my earlier days as an anime fan, but I rewatched the original Naruto TV series including filler at least three times. It didn’t take long after Naruto to check out the other Shonen Jump fare, and then I had a phase of watching a bunch of shoujo anime after getting a bit tired of shonen fighting stuff. After that I proceeded to much of the male otaku-pandering harem series. I began to watch most of the airing series that was being fansubbed at the time as I proceeded into high school until I reached major anime burnout. The show that really broke me was K-On. I had a revelation that the shows that otaku were hyping up as the “must check out” shows or the “best anime of the season” just did not really appeal to me anymore. Even those shows aside, after being burned too many times by anime with great beginning episodes that would then be completely unable to sustain their premise for their full running length (Gonzo anyone?), I was really questioning whether or not my heart was really in anime anymore.

My re-discovery of anime I have to credit 100% to the Anime World Order podcast. I very well may not be an anime fan today if I had not found their podcast during my high school burnout. It really opened my eyes up to just how many gems there were back in the ’70s/’80s/early ’90s and to get in the habit of just trying to learn more about who is actually involved in creating the anime I watch and love. It also really opened up my eyes to the fact that anime is not just Shonen Jump adaptations or a cesspool of otaku in-jokes and tropes, but it really does have the capacity to take on a much wider diversity of fictional material. Helen McCarthy summarized this well on the AWO interview with her (at the 5:58 mark):

“Anime is an adventure playground and like any adventure playground you’re only going to get out of it what you take in with you […] if you go looking to try new things, explore new genres, and look around for challenges, then anime is going to provide that.”

The pursuit of challenges is what keeps my anime passion alive. Every time I see a side of anime I’ve never seen before, my otaku expiration date pushes back even further. My hope is that I will never hit this expiration date, so long as I remember that watching anime does not have to be limited to the titles that trend with the anime fandom at large.

What appealed to you about anime when you first discovered it? For my elementary school story, the main feeling I came away from having half-watched both movies was “Wow, I did not know a cartoon could portray such a compelling story.” My prior exposure to cartoons was things of the nature of some of the older Walt Disney cartoons, Tom and Jerry, CatDog, and Rocko’s Modern Life to name a few. While I enjoyed those as a kid, we can all see that these are comedic endeavors that completely unlike the aforementioned movies. Those movies imprinted upon me a much deeper, lingering feeling of fulfillment.

Although Naruto marked my initial foray into anime, I have actually fallen completely out of caring about it at all. That being said, when I first watched it I really thought it was a fresh breath of air from all the Western cartoons done in episodic format. I actually love a lot of the DCAU cartoons but I feel like there is a limit to how far or deep you can take a story when constrained by that format. The serialized nature of Naruto and other series like it grabbed my attention and I grew a much stronger attachment to characters from long running series like this. This is not to say I necessarily dislike anime that take an episodic format, but an anime series portraying a single story that runs for the length of one or more cours returns a particular feeling of immense satisfaction when done well. I can’t say the same for most of the Western cartoons I watched when I was younger. I was also fascinated by many of the cultural differences from Japan that were exhibited in some of the anime I watched during this time, and so there was definitely an appeal of adventuring into a culture very different from my mostly Western sensibilities.

The appeal of anime since my rediscovery of it has taken a much more fascinating turn. Prior to this point I did not really take to the cel-animated style of animation but I’ve grown exceedingly fond of it the more stuff I visit from the ’70s and ’80s. It saddens me to think that it practically a dead art at this point. (If I’m not mistaken Sazae-san was the last anime to use cel-animation and if the production for Sazae-san cannot keep it up… well nothing else can right?) The amount of artistic and narrative diversity that was possible during the ’80s due to the booming economy in Japan at the time is something that I have not really found in anime of recent times; with any luck crowdfunded anime will continue to carve out its own niche though. That aside, I also have bizarre theoretical nostalgia for the ’80s which my parents find both puzzling and amusing.

Just to clarify, even though I have primarily been focusing my attention on anime from the ’70s and ’80s since my rediscovery, I do think that currently anime is doing pretty well and when I do finally get around to watching some more recent anime it is not that hard for me to find something I would like. I am just in no rush to watch anime that everyone is talking about, and I am hesitant to watch shows as they air for fear of being let down by the end.

You grew up in Hong Kong and then Cambridge. Can you tell me how anime fandom was different in each city? I should clarify here. Until high school I grew up in Hong Kong. During high school I was in New Jersey. For undergraduate schooling onwards I was in Cambridge. So I’m not really sure I can say I “grew up” in Cambridge since I was already in college at that point.

As someone that cannot actually speak Cantonese (I can understand a very small amount), my experience is unlikely to be representative of actual fandom in Hong Kong. I also did not attempt to interact too much with fandom in Hong Kong. I think what stands out to me the most over there compared to the states are the sort of properties that were represented. I can remember walking in random malls and seeing illustrations and merchandise for Astro Boy casually in areas. Even more so for stuff like Doraemon. Doraemon would be broadcast dubbed on the Cantonese language channels. Basically you can clearly see representation of the set of anime or manga properties that are huge across East Asia but are virtually unheard of in the West. Many of these properties are popular to large audiences, not just self-proclaimed anime fans. As far as people at school (I went to a British private school taught entirely in English so again, possibly not representative), there were kids who were into those huge Shonen Jump titles like Naruto, Bleach, One Piece, and so forth. I do recall someone reading a localized (into written Chinese) Sgt. Frog manga volume. I wasn’t even aware that this was released in the states or that it had a following until checking just now. In my head I had thought of this as another “popular in East Asia but not in the West” property.

I went to a boarding high school in New Jersey and I didn’t leave campus much because I was lazy and going to town required more walking than I cared for at the time. So I can really only comment on the situation at school. I think besides what I’ve already said, it appeared to me that there wasn’t a lot of interest in an organized club setting for anime (although I feel like it could have been different if the school actually allowed for non-athletic and non-theater extra-curricular activities). There were however people with at least some kind of passing interest in anime; their presence was not very visible though so to this day I’m not entirely sure how many people actually cared about anime. This is when I really understood that there’s a whole population of people who consume anime but do not speak about it whatsoever.

College in Cambridge was a pretty huge letdown as far as anime fandom is concerned. Admittedly, if I was still the same fan I was when I was getting into this stuff I would have fit right at home. There were a lot of people to whom anime is essentially a bunch of memes. While I do actually think one great aspect about anime fandom is that people can celebrate it in so many different ways, it was a letdown for me that I had so much trouble finding people who would also want to take it seriously. I’m not gonna pretend like every anime is some kind of cinematic masterpiece, because that is not true at all. At the time it struck me as strange that anime fans had so little interest in seeking out things worthy of that kind of recognition. Stepping aside from my biases, there’s definitely a lot of that internet awareness of anime fandom that would be represented by anime fans at my school. So if you were the sort of person who was constantly on top of the zeitgeist of anime fandom, quickly jumping to one hot otaku property after the next, you would have had a great time.

You spent a lot of time gravitating toward much older anime. What appealed to you about those over more modern titles? When I first saw a non-Ghibli cel animated anime, I was still in my relative infancy as an anime fan and the aesthetic did not appeal to me at the time. It’s funny that since then I now tend to gravitate much more to older titles. Probably the biggest driving force during my transition to older titles is wanting to get away from the glut of moe titles that kept getting pumped out. Before that point most of what I was watching was that moe stuff and at first I thought it was quirky and fun but later on I realized I was just lying to myself about liking that stuff anymore. There can be shows with moe elements that can still be good provided other quality aspects (plot, characterization, etc.) are there. However, the balance wasn’t really there when I was really getting sick of it. Nowadays anime seems to be doing a lot better than simply completing a checklist designed to cater only to the moe fanbase.

So older anime had a lot less moe stuff crammed into it. On the other hand, there’s a ton more mecha stuff there which I previously did not care for. I no longer have any resistance to mecha shows now and do enjoy greatly the ones that I have seen. I still don’t think I would call myself a huge mecha person though. I do really like the level of detail you see with some illustrations of robots. It is a shame that the animators who can actually animate robots in 2D are dwindling out.

The hand-crafted feel of cel animation versus the technically cleaner aspects of digital animation is something that I enjoy greatly. It’s really great whenever some window shatters or a building gets demolished and you can see the individual bits of debris and rubble. People spent weeks painting cels for something that amounts to a gorgeous second long shot. Whenever the camera perspective switches I’m blown away because everything in the shot has to be redrawn each frame. The warmer color palette gives a different vibe than that of modern titles. In any case, for many of these aspects there’s not necessarily a technical reason you couldn’t do these things in digital animation. However, there is one thing that was certainly different in the ’80s and that was the economy in Japan.

The amount of money that got pumped into the anime industry as a consequence of the ’80s bubble economy would allow for these super detailed and time-intensive shots. Not all old anime is like this of course, but at least the possibility was there. Besides that, the crazy amounts of money that would get thrown around would enable the production of strange, extremely non-merchandisable titles such as Angel’s Egg, To-Y, and Bobby’s Girl. Success or not, there is something fascinating about creative output in anime unrestrained by commercial considerations. If you wanted to pick a single decade to look for as much anime that is unlike anime you’ve seen before, unquestionably the ’80s is the place to go.

Putting aside my preference for the aesthetics or the experimental stuff of the time, if I were to try and sell someone on the concept of going back and checking older anime it would be that titles that have withstood the test of time are worth checking out. It’s hard to identify if an anime title is going to have any staying power at the height of its popularity. So the only reasonable way to unbiasedly test this I think is to simply wait and see. Especially nowadays, fans move rapidly from one show to the next. Here’s are modern examples of things I don’t think pass the test of time. How many people honestly care about The Melancholy of Haruhi Suzumiya anymore (well, they weren’t doing themselves any favors with that second season)? How about Lucky Star? On the other hand, people will still bring up Akira as one of these cinematic masterpieces. Somehow fandom over Legend of the Galactic Heroes has persisted for all this time despite only very recently getting an official release for the first time. Old school fans still talk about Bubblegum Crisis. A couple of years back Carl Gustav Horn cared enough to assemble writers and put together a gorgeous 25th anniversary fanzine for Royal Space Force: The Wings of Honneamise. To me, that is a strong signal that those particular titles are at least worth checking out. An argument could certainly be made that since so much less stuff made it to English speaking audiences back then, it was easier for fandom as a whole to rally and concentrate around a small subset of shows compared to now. But hey, people still care about this stuff more than 25 years later. Why not find out what all the fuss is about?

What was it like to be a part of anime fandom at the time? I did not really try to connect with anime fans until high school. There did not seem to be a whole lot of interest in anime at my school when I tried asking around, and so I eventually started an anime club in hopes of finding other fans. Unfortunately basically any extracurricular activity that was not sports or theater was shafted because there were credit requirements related to these and so even though a bunch of people expressed interest in an anime club at my first administrative meeting, very few people could actually come to showings I held after school. To be honest I did not really have a good sense of direction for what I wanted to do with the club until I was a senior and had experienced my rediscovery of anime. It was also during this time I began nurturing my love of old anime. The goal I set that year was to try and break people’s preconceived notions of anime with every showing I did and try and make it a little educational by talking about some of the background details of how the titles came to be. So I would show titles like Royal Space Force, Project A-ko, Angel’s Egg, Gunbuster, and the early ’90s Black Jack OAVs to name a few. That being said, the anime club was really just one guy I had not met before I started it, and my friends most of whom were not really anime fans. The people that attended did tell me later after I had graduated that I showed them some really interesting stuff that they would never have associated with anime normally, so I guess I did achieve my goal in the end. I think there might have been more anime fans than I was originally led to believe but perhaps none of them were interested in going to an anime club. I say this because at a completely unrelated event I was talking to a friend about the unfortunate passing of Satoshi Kon and why this was a big deal, and someone I barely knew chimed in and said “Oh yeah I heard about that too!” I was shocked that someone else in my high school would even know of the name Satoshi Kon.

Then after that was college. Even though I went to a very nerdy college, I really did not connect much at all with anime fans I met there. It honestly was a really hard time for me as an anime fan to have to come to terms with the fact that I had so little in common with other anime fans in my age group. I am aware that what I am saying would probably anger some of the older fans who may have had to endure bullying for being into anime and would have killed to find any other anime fans. With the exception of one person (Hi Steve!), I basically did not meet any anime fans who really cared much about both old anime and the people who worked on them. Even putting aside old anime, people who went to the anime club in college were not particularly interested in having serious discussions about anime either. Apparently the club used to be open to the public but from what I hear, too many old folks being around turned off students from the showings so it was closed off by a previous club president who had graduated by the time I was attending. While I am sure this was done with good intentions for the students, I was pretty bummed out that had I only attended a few years earlier I would have been able to meet a bunch of older anime fans. The one time during those years I felt a really strong connection with other people about anime was during a summer internship in Tokyo when I was 20 years old; basically all the actual employees in my team were middle aged software engineers. That same summer I was again reminded how out of place I was and still am; I was cel shopping in Nakano Broadway and I realized that the only people that ever walked into the cel shops (I spent hours upon hours just looking at cels) that were younger than me were the kids of couples that were much older than me. It is not easy for me to be reminded frequently about my interests are quite out of place with other fans in my age group. I would love to meet other fans in-person that are into old anime regardless of their age but I do not really know of a way to do so easily. I think most people tend to socialize within their age groups so I am not sure there is an easy way.

Was the Internet a part of fandom at the time? It was, but I did not really use the internet to try and find other fans during middle and high school. These days I follow a bunch of the Anitwitter folks though. I mostly gave up trying to connect with other fans in real life circles. Some of my college friends who watch anime have tried to appeal to me by claiming to me things of the nature “Miyazaki seems like he thinks he’s the only one who can save anime” or “I can see how Hunter x Hunter was influenced by Naruto.” When I respond “Oh that’s interesting I never heard of that” and then ask them for a citation source or how they know any of this eventually they admit that they were bullshitting me which I do not take kindly to at all. Experiences like this deter me from wanting trying to discuss anime seriously with the anime fans I currently know in person. As a result I now sort of just silently follow the tweetings of (to name a few) the Mike Toole, Dawn / Usamimi and 80s_anime folks of the world. My small (maybe dumb) hope is that perhaps writing all of this may help open up some avenues to connect with other anime fans into older anime.

Do you remember your first convention? What was it, and what was it like? My first anime convention was actually only a little over a year ago, at Anime Boston 2016. Prior to that my entire knowledge of what actually happens at anime conventions was pretty much based the AWO podcast coverage of them. I only went on Sunday and I mostly just spent time in the dealers’ room, especially at the only vendor that was selling cels. Instead of cels, at that booth I ended up buying two Galaxy Express 999 posters, a Royal Space Force poster, and a Macross Do You Remember Love poster. I’m kind of kicking myself for not going for the whole weekend because Masao Maruyama was a guest that year.

Tell me how you got a summer internship in Tokyo. Where was it? Did you speak Japanese? So I actually did three summer internships in a row in Japan. The first in Hyogo Prefecture (near Osaka), the second in Tokyo, and the third in Tokyo. These were all arranged through my school which had a program that you where you could do summer internships abroad. All of these internships were software development related (I majored in Computer Science).

The first internship was for a startup which excluding me and another intern from my school, consisted of literally just my French boss and a Japanese student working there. At lunch sometimes we would use Japanese but for work stuff I would just speak to him in English.

The second internship was for a more traditional Japanese company called Secom, and took place at their research lab in Mitaka city (the same city where the Ghibli museum is located). They asked me what language I preferred to communicate with and I insisted on Japanese because I was trying to get more comfortable speaking it. They seemed relieved and happy to accommodate that request, although we would have once a week English lunch table events which I would go to so they could practice English. Those lunch tables were the only time I spoke English at the company. In the present day my spoken Japanese has atrophied very hard, although I’m still practicing reading and listening. As I mentioned earlier, most of the people in my team were essentially folks in their 40s to 50s who majored in Computer Science back in the day. In other words, the demographic of people who would likely enjoy the same kind of anime that I do. This was exactly the case. I could talk about how great Galaxy Express 999 is and people would respond with pleasant agreement instead of a blank face, wow! Forgive me for tooting my horn a little, but those guys were continually surprised by just how much I knew about older anime properties; actually I feel like I actually don’t know that much compared to the super fans that I follow online. For a presentation I did in front of an audience comprised of people from a bunch of different teams, I showcased some of the cels I bought that summer and invited people to stop by my desk if they wanted to take a look at the rest. One guy who came by was talking about Royal Space Force: The Wings of Honneamise and referred to Hideaki Anno as the director. I gave him a weird look and corrected him, pointing out that the director was in fact Hiroyuki Yamaga. He still wasn’t quite convinced but my supervisor had my back and said “he actually knows a lot about anime.” Most of the people in my team weren’t necessarily hardcore anime fans so much as people who enjoyed anime when they were younger. It just so happens those anime titles were exactly what I was into. As a half-joke I would tell friends in the states that I was finally with my kind of people. It was the first (of very few) major experiences I’ve had offline where I felt like I really had an overlapping anime interest with another group of people.

The third internship was not an internship so much as a summer research experience I did at Tokyo University. I think most students (all of them were graduate students) in the lab could read English decently, which was probably a requirement given that most academia is published in English, but they were no one spoke it at all. It was kind of unfortunate since my Japanese speaking had gotten a lot worse at this point so it was hard to actually engage in conversations about stuff. During my introduction to the lab I did mention (in Japanese) “Hmmm, as far as hobbies I’m into ’80s anime in particular.” After processing what I had said, one of the students responded “… wait we weren’t even born then.”

This reminded me of an amusing experience during my first summer in Japan before my first internship started, where I was in a language exchange thing that was happening at Tokyo University with my Japanese class from school. I didn’t realize it at the time, but apparently my bizarre interest in older anime left an impression on some people there. At the end of this language exchange thing, there was a closing event where on a whim they were someone should do karaoke. Prior to this I had used the opening to Gatchaman in a presentation for my Japanese class so everyone from my class wanted me to go sing the opening in front of a bunch of Tokyo University engineering staff and graduate students, which I did. I’m not even sure the graduate students knew what this was, and it must have been weird for some of the staff to get a flashback to their childhoods.

Was your interest in anime a contributing factor to you taking an internship in Tokyo? Maybe somewhat but honestly I don’t think it was that big of a factor prior to accepting the internship. Completely unrelated to my anime interest, I had read up a lot about lifestyle differences or social issues in Japan. So I was well aware that it isn’t some fantasy land where people casually walk down the street rocking Naruto headbands. Especially coming from Hong Kong and then living in the states, the culture shock wasn’t that big for me by the time I spent my first summer in Japan.

I also didn’t really have this anime fan obsession with Akihabara being the holy land nor did I feel like I absolutely had to make a pilgrimage over there to complete my anime fan journey. I did go a couple of times and at first it was a little overwhelming but honestly overall it was pretty boring for me. If you are down with all the hot anime merchandise and have tons of money, then they will very willingly accommodate that fan interest. But for someone like me whose mind was flooded with obsession over older anime, there wasn’t a lot that catered to me from there. Nakano Broadway on the other hand, THAT is where the old school anime fan stuff is at.

In your opinion, what’s the biggest contrast between anime fandom today and anime fandom when you first got into it? This is a pretty boring answer because it could apply to anyone besides people that became fans after the rise of streaming as a anime delivery mechanism, but it has to be just the sheer amount of anime that is available via legal means. More accessibility is great but ironically the problem of legal accessibility being solved has lead to the problem of too much anime being available. The latter is not actually a problem because it’s as simple as choosing not to watch everything, but I think any long term fans can probably name a person or two that tried to watch everything available every season and burned out really fast. As far as how this relates to fandom specifically, I think an obsession with always trying to stay up to date has lead to overall anime fandom having a very short term memory. To be honest not long after I was getting into anime I think this was already starting to happen, but now it seems even worse. I hope I’m wrong, but I don’t really see the modern equivalent of extreme concentrated pockets of fandom for older properties (whether that’s stuff from when I was getting into anime, or before). It would be a shame to lose that level of fan dedication. That being said, I’m still pretty optimistic that dedicated fandom will still thrive in some form.

Austin can be reached on Twitter and his blog.

Age: 26

Location: Chicago, USA

When did you discover anime? It was sophomore year of high school (I think around 2006?) when I decided to try anime. Things like memes and imageboards were just starting to get popular. So my first anime was Rozen Maiden because I saw so much art of one of the characters.

What appealed to you about anime when you first discovered it? I think it was because it was so different from cartoons I’ve seen before. Sixteen-year-old me found it so cool watching animation made by a different culture: what stories they tell, the style of comedy, and what kind of characters they create.

What was the first anime you got really invested in? How did you express your fandom? The first anime that made me go “alright, this is the best anime I’ve ever watched” is the Aria franchise, cumulating with Aria the Origination. It remains my favorite anime to this day. Fortunately, there isn’t that much merchandise or events related to this show, but I do have the art books, blu-rays, and manga. The day Kawakami Tomoko died in 2011 I was inconsolable. I still get emotional when I hear Athena’s voice.

What would you say was the most popular anime at the time? Probably Bleach and Death Note. I didn’t really pay attention to airing stuff until like 2008, and by then I distinctly remember Lucky Star being all the rage.

What was it like to be a part of anime fandom at the time? I had one or two friends who watched anime as well, but I mostly kept it to myself. I did try showing some stuff to other friends with mixed results.

What were those mixed results? It was more or less a learning experience that different people liked different genres—really, really early on. I showed a good friend Lucky Star and School Rumble, but he enjoyed the more cerebral shows like Serial Experiments Lain and Evangelion instead. I was still in that wonderful phase where I thought every anime was just the most incredible thing ever.

Was the Internet a part of fandom at the time? If yes, how? If no, how did you connect with other fans? The internet was a place where I could freely talk about anime because I was in the company of other anime fans. It was a godsend for someone like me, where I just have to share the ideas filling my head to the brim. I started really getting engaged when I joined the Saimoe community (those voting poll contests to democratically determine best girl popular a few years ago) which eventually led to me starting my own anime blog which eventually led to me making fake anime news.

I want to hear more about the origin of your “fake anime news” blog Anime Maru! I had my own blog that I had been writing for a few years. I was proud of my work and more or less did it for fun, and through blogging I virtually met many of my close acquaintances in the anime community (including you!). But over the years I started losing passion for and I was looking for some way to be different. I felt like everyone has an anime blog and while sometimes a great clever idea or unique insight pops into my head, in the end I was just doing what everyone else was doing. I wrote a few parody anime news articles and not only were they incredibly fun to write, the people I shared them with found them really entertaining. I knew I had a fresh new idea, but I had decently high ambitions so I would need a staff. I took some time off to really plan out my vision, do the groundwork for making a website, and finding a good staff of writers. While the first year was a bit rocky and had some growing pains, I finally found joy and passion in writing about anime again. I’m glad I can contribute to this community in my own unique way.

As a blogger, do you interact with newbie fans? If so, how do you think their perspectives are different than when you were a newbie fan? I think Anime Maru targets the hardcore anime crowd a bit more, as a lot of humor is meta-humor about the fanbase itself or oblique current events in the anime world. But outside of writing, I do enjoy talking about anime especially with new people. One trait newbie anime fans all share is being easily impressed by anime. I think this is because early in fandom they are recommended good shows by people trying to help them, and also by the fact they have not been “jaded” by tropes or cliche. To have that innocence back!

Do you remember your first convention? What was it, and what was it like? My first convention was Anime Expo 2011, for which I flew into Los Angeles for. I never imagined having fun at an anime convention because I couldn’t find anyone interested in going. However, one of the blogs I wrote for at the time offered me press credentials and I just decided to go for it. Besides getting awesome access to guests and not having to stand in line, I was exposed to how fun it was to brush shoulders with “people from the internet” and be in a literal sea of individuals who share my passion. Now I am a regular convention goer.

You had press credentials. So you got paid to write about anime? How did you go from fan to pro? I’m really into anime music. Many years ago I was really into movie soundtracks, and that kind of bled into anime and I began researching anime soundtracks. I was invited by zzeroparticle to contribute on his anime music blog for a while because I could write moderately intelligently about anime soundtracks. His blog was a bit more successful and popular than my little shack at the time, and I got to go to some conventions! My fondest experiences with anime music include Yoko Kanno’s PIANO ME performance at Otakon and Kalafina at Anime Expo. For a soundtrack geek at the time like myself, it was an experience of a lifetime.

What’s the biggest contrast between anime fandom when you found it and anime fandom today? The sheer size and organization of the fandom. Twelve years ago I could easily find a discussion board about anime or watch just about any show using the high seas, but now anime fandom is like a galaxy swirling around thanks to social media. Each fandom has huge rabid communities, and anime has never been more accessible. Anime has become far more mainstream and will only continue to do so.

Kevo can be reached on Twitter. 

Age: 42

Location: New Jersey

When did you discover anime? Share as much as you remember.
I certainly remember watching broadcasts of shows like Voltron and Speed Racer and G-Force and (particularly) Star Blazers on TV when I was a kid. But some I was too young during some of them to differentiate them from Hanna Barbara or Herculoids, and others came about later but melded into Transformers and Thundercats and other shows as well. I don’t really count US broadcast dubs as “discovering anime” or as part of my “otaku origin.”

Robotech, I half-count. I think because I got into this show DEEP, discovered it right as it was hitting our shores, and followed it avidly the whole way. Also because it contained more elements “more stereotypically and uniquely anime” than the earlier broadcast dubs, and hit me at the right age to prime me for the rest. Transforming fighter jets that even a dink like Rick Hunter could learn to pilot hit my 10-year-old boy brain pretty damn hard, and developing a crush on Minmei just seemed to make perfect sense. Interestingly it wasn’t the animation itself which really dug me in, but the novelizations that started to drop when I was 12. I read feverishly at the time, and I had no enjoyment limitations (broadcast schedule, TV availability) with the novels like I did with the show, the story mapped out further, and it introduced more maturity to the overall story by End of the Circle than I ever got from the show. (Or that eventually watching the anime sources Robotech was based on would deliver.) I could share them, get other friends into them, and that played the largest part in priming me for “official anime” which would come to me in high school.

I’d started collecting comics only a few years before, so my comics habit introduced me to a few upperclassmen pretty quickly, to find the better comics store option they used. It also introduced me to someone who collected raw Japanese anime that was getting passed around in a college club he had access to. I’d hand him VHS tapes, and he would return them packed to the gills with anime.

This was the very best deal.

So I can tell exactly what my first “otaku exposure” was for me, since I still have my “Japanese Animation #1” VHS, carefully labeled and timecoded for ease of quickly advancing to the show I wanted to rewatch. The front label is getting sun-bleached to the point of illegibility now (as many others are fully) but the top label has always been protected by the case, so…

Bubblegum Crisis #1-2 (0-1230)
Grey Digital Target (1283-2630)
Dirty Pair: Project Eden (2631-3810)
Megazone 23: Part 1 (3811-4800)

“Konya wa Hurricane” [the Bubblegum Crisis theme] haunts my soul to this day, because I consider it my very first “otaku exposure.”

I probably had about 6 “packed with random” tapes that I rewatched continuously. I don’t have the exact order of everything else, but I know Tape 2 had Dangiaoh, Dragon’s Heaven, Gunbuster (1-2), and Venus Wars. Project A-Ko and Devil Hunter Yohko would enter my life shortly. Vampire Hunter D and Demon City Shinjuku and Wind Ninja Chronicles would light up my supernaturalism and horror appreciation. Kimagure Orange Road would be my first introduction to “TV series anime,” and I Ayukawa Madoka became my first serious waifu before waifus were waifus, even though I only had episodes 5-8 to watch over and over again. (Though Minmei from Do You Remember Love was probably my first inkling of it.)

It would actually take me a few years to start getting any anime, subbed or dubbed. Prior to that I was rewatching the raw Japanese and getting everything I could from tone and scene context. It linked me pretty close to how the Japanese language sounds, even if I never committed to learning it. If I was lucky I could find translated scripts on BBSs [Bulletin Board Systems] and read those. When I DID get access to my first “modern dub” is was Warriors of the Wind, on the same tape as Nausicaa in raw Japanese. Eventually I would watch both to compare the vocals and scene edits, and would come out on the other side concluding that the English dub’s acting sucked horribly, and I disagreed vehemently with all the editing they did (something I did not know they were prone to, prior). As well on the same tape I gained access to my first official subtitled anime in MADOX-01. “Wait, so I can get the original work, without editing and horrible acting, and I just read the dialogue in English? SOLD!”

I officially had the sub/dub war on one VHS, and decided the victor, before I knew there was a war or a place to fight online.

I wouldn’t find TOO many people to convert to anime-appreciation in my early years, so mainly chatted with the upperclassman who introduced me to it and kept me fed, and otherwise… I rewatched. I stuck my stereo up to the TV’s mono speaker and recorded music for my own mix tapes. I rewatched some more.

I’d like to hear more about your older otaku friends. I was a freshman in high school, so 14 at the time. Started high school in ’89 and had been collecting comics for a couple years; wiki tells me Transformers #25 was February 1987, and it was “Megatron’s Last Stand!” that first got me to pay attention and start collecting.  I’d mainly been picking comics off the newstand at grocery stores and book stores at the mall up until high school.  I met a junior named Terry in choir who went to a specialty comic store a few towns over (older people who can drive!), and through him a sophomore named Tim who had a job working weekends at a local Diamond distribution warehouse.  (Basically, they fed the comics TO the stores.)  It was Tim who started getting me the anime tapes, after we started chatting about Robotech.  I think his brother was at a local community college, and it was there that anime was making the club rounds. Terry was more of a general comic book enthusiast, and older enough that we didn’t hang out much outside of chatting before and after choir.  With Tim I found the anime specialty, but also a fellow geek and gamer about other things, as over the high school years he would run Robotech RPG games (as would I), played a bunch of Games Workshop stuff with his friends, and such.  (Tim also held back a quality Macross Super Veritech VF-1S for me that was sitting in the warehouse, but $25 was a lot for me back then, and I never snagged it. A decision I regret to this day.)

Terry I only knew for the two years we shared in high school, and Tim as well, though I’d still see him at various fine arts events my senior year and some years afterward.  (I think he was the only one who knew how to properly use their ancient stage lighting board.)  And while I tried out anime among some of my friends during high school, it didn’t really stick.  Even with Tim we’d mainly chat about things after the fact, since he had already watched whatever he passed copied for me, and hanging out in a group was mainly for gaming rather than anime.  So by and large ’89 to ’95 was much more of a “me doing my own thing” with anime, and would only come to change after college and new friends and convention-going.  Some of them I am friends with to this day, go to Otakon with, and anime even reconnected me more strongly with my oldest-running friend (my grade, who I met in pre-school when we were four).

What appealed to you about anime when you first discovered it? I’d like to say “maturity,” but in truth probably all manner of “otherness” appealed to me first, of which mature story and action were just a part. Japan at the time was fascinating, and had an aura of “nerd cool.” I knew things I particularly loved—Transformers and Robotech—originally CAME from Japan, even if I wasn’t fully on the process. So Japan was apparently pretty awesome, and this still was PURE Japan! I mean, they were speaking Japanese and ONLY Japanese!

It delivered animation that certainly was far and away more involved than American fare. Bloody, violent, grotesque, action-packed, and R-rated in all that represents. (Yes, I mean boobs. To a 14-15 year-old four-eyed geek, Priss was extremely risqué right from the first shots of her, appealing, and Mackie got to “sneak a peek” here and there at the whole gang. Grey Digital Target had a shower scene, casual toplessness, AND sex scenes! Gunbuster had casual and comedic toplessness of epic memorability. Ha… get it? “TOPless!” Look if Diebuster can make that joke, so can I.)

But it would eventually introduce me to “wait, THAT can be animated?” as well. Kimagure Orange Road was just… a high school romance? (Admittedly with a sci-fi twist.) They Were Eleven was a compelling sci-fi/adventure/mystery/romance? Can you even combine all those things?! Apparently, because it was great! I Can Hear the Sea was just… well, a sweet romance. No kung-fu, no laser beams, no psychic powers, no nothing. In a cartoon? No shit?

No shit.

As much as I suppose I also cared about having my own special nerdiness to appreciate that most others knew nothing about or did not, and as much as “otherness” is attractive but usually doesn’t last long, it would be anime’s sheer depth and scope that would keep me tuned in for the next…

Wait, how many years? 1, 2, 3… 28?!?

*Captain Gloval gruble* Bozhe moi…

I don’t think fans today realize that back then fans had no translations at all sometimes. Can you talk more about this? Why wasn’t it boring to watch a show when you didn’t understand the dialogue? About what year or age do you recall first getting dubbed and subbed shows? As to “why wasn’t it boring,” I think this fed into the “otherness” I mentioned to begin with.  It was…  special.  I mean, it was something you really couldn’t get any other way.  (At least to my knowledge.  And to any level of convenience.)  I was learning where this stuff came from, including Robotech‘s source itself.  And if that required a bit of effort, well…  It was effort well worth giving!  In many ways, it made it less boring.  You could get a lot out of just the visuals and sound by itself, and piece together “what they’re saying” even when you don’t strictly-speaking know what’s being said.  It added a tinge of…  mystery to things, somehow.  And it certainly made things amusingly to learn about later, when actually seeing the dialogue!  I’d get the occasional scripts and synopses downloaded from BBSs, but that was infrequently enough as well.  But you would be surprised how much continues to sink in just from repeat viewings!

The tape I mentioned with Warriors of the Wind and MADOX-01 on it were my first official sub and dub exposures, which was probably in ’92.  But that didn’t mean “and after that, subs were broadly available!”  Those were two of a very small number of exceptions throughout high school.  In college that changed, but in a different way.  It suddenly became easier for me to collect localized manga.  Starting with Ranma 1/2 and picking up pretty much anything they or Dark Horse did, I finally got acclimated to translated works, but anime was expensive and my college clubs weren’t anime-related. Magic: the Gathering started to take up all my time and money, at that point.

It really wouldn’t be until the Sailor Moon DiC broadcasts that I picked up anything more commonplace (and even that would serve to cement my dislike of dubs).  Anime East ’95 got me a “duffel bag of Ranma” that would be passed around among us (old school friends, new Magic: The Gathering friends, new college RPG friends), so even at that stage it was still access to raw Japanese content (this time full broadcasts, with commercials!) which was getting people into the habit.  It was maybe not their first exposure, but it would prove to be the strongest exposure for them, too.

“Common access to subs” would probably come in ’96 and beyond.  That comic shop I’d been going to since ’89 started expanding into anime, so I could rent quite a lot there. (And specifically he got subtitled tapes, whereas Blockbuster would only have a smattering of dubs.) And from there we would start making trips into NYC Chinatown, which was the bootlegger/importer’s paradise! Anime-wise that meant rampant distribution of fansubber’s content. $5/tape or cheaper when you bought enough.  I really couldn’t afford the “two episodes for $35-40” which was still commonplace at that time.  So I’d rent, or bootleg.

Did anime inspire you to be interested in Japan in other ways? Like, did you ever visit or study the language?  It couldn’t help but to!  I did take classes in college, but not too many.  Much moreso, it made me interested in cultural aspects in general.  And even more, it certainly affected my culinary exposure!  Sometime in ’95 or ’96 I started going with that aforementioned pre-school friend (brought into vogue by the Duffel Bag of Ranma™ and the other friends it grabbed) to Yaohan supermarket in Edgewater, NJ (now a Mitsuwa Marketplace) where I would become somewhat permanently addicted to Japanese food of all sorts.  Initially of course it was to pick up anything recognizable (Nuku Nuku loves eating taiyaki, give me some of that!), but that quickly turns into trying anything and everything.  (Including regret when the taikayi/obanyaki vendor downsizes and no longer offers takoyaki or okonomiyaki.  I still lack good okonomiyaki options, and it makes me sad.)  I had only experimented with sushi prior to my otaku origin, but that became a lifeblood. Chopsticks turned from curiosity to requirement at any meal that offered them. Lately I’ve been burning through history podcasts in general, and Japan among them.  Some art and literature collection outside of the anime-adjacent.

Visiting I desperately want to do, but have not had the opportunity–or rather the wherewithal–to do so.  So on that front I continue to live vicariously through anime, and @Surwill.

What would you say was the most popular anime at the time? I couldn’t even tell you. For years all I could judge by was the stuff my friend obtained for me, so it all mixed together. Everyone else were people I got into it myself.

I suppose the first inking I got from “outside” dudes I didn’t know were those who knew Fist of the North Star, Akira, Vampire Hunter D, and nothing else.

Well, maybe Ninja Scroll.

I would attend my first anime con in 1995, so at that point I started to get a view of the wider community in the US. But by that point I had a cadre of friends who all largely came to it through me, and otherwise came in from the Sailor Moon/DiC direction.

I did make a new friend who met someone at that con who had all of Ranma 1/2 broadcast dubs from Japan. So that become one of my larger “popular” assumptions. Those tapes would also become a huge entry point for a larger second wave of otaku friends.

Interested in your role as a member of an earlier wave of fandom introducing a younger generation to anime. Did you feel like a mentor? How did you introduce people to anime? That is an interesting thing to ponder.  I don’t suppose I ever felt like a “mentor” to most of the folk I watched anime with, for a long time. That’s probably because my gaming and general geeky proclivities always made me search out above and below my age for anyone who’s interested, and can play with.  I started BBSing in ’86 or so, and that was mostly an older-boys kind of activity, so when I would make friends with a sysp[ and was invited to their MERP/Rolemaster group…  I was a 13-year-old hanging with high-schoolers and being GM’ed by a 30-year-old.  So when it got to the point where I was 20+ and hanging with some 15-year-olds to play Magic…  it didn’t feel out of place.  Older or younger, if you’re always fighting to maintain a small group of friends to play what you enjoy, they’re all peers.  Yes, peers who may not be able to drive yet, but…  you’re getting them into games in hopes of all having fun and skilling up together.  You’re role-playing with each other constantly as elfin wizards or hundred-year-old vampires…  You’re all taking turns running games and playing in games, and shifting from one activity to another…  It’s pretty much an equalizer.

So in that regard, while I had a lot more exposure for a lot longer than some, they’re “skilling up” the same way, at the same time. We’re all watching shows we newly gained access to together. I didn’t really feel like I was “mentoring” anyone, because a lot of us were exposed at the same time (phrasing!) to all the Tenchi rentals, all the Chinatown trips leading to Kenshin and Gundam Wing weekend marathons… “Thank Eru, more people to play Magic with!” turned into “Thank Eru, more people to buy tapes as well, which we can all watch!”  Starting in ’89 vs starting in ’95 is small beans at that point.  They may not have watched Gunbuster raw dozens of times, but they DID watch and love it when I picked up the legit tapes!  But we were already all in the midst of so much other stuff. No mentor feelings in particular, just new friends to ride the waves with. Also they’d mostly had some original exposure on their own (Sailor Moon, Ghibli films) because anime started becoming more popular and nerd-adjacent. Our enthusiasm fed off each other, and went to more places.

I suppose the first genuine time I ever felt like a “mentor” was with my nephew. I was his source of the eclectic and weird, especially the Japanese, so I had fun trying out which movies to gift him and when… And while he still watches occasionally, he never felt the same kind of bite. (Not with anime, not with Magic. So rude.)

I felt a bit more with a friend I met on forums, who’s younger than me but got started early on a litany of kids. (I tried to name some, but sadly no takers on “Archimedes” or “Elanor.”) The forum was run by that pre-school friend.  I’d actually been out of the anime habit for a while  (’01 I stopped staffing at Otakon, through ’06) and he and a simple schoolgirl named Haruhi pulled me back in, more enthusiastic than ever. My eventually-having-six-kids friend had some Ghibli exposure, but I would eventually get her and her crew into watching a lot more. Cross-country mentoring, but…  it stirs the heart to know that a 4-year-old can stare with rapt fascination at Nanba Mutta’s face along with the entire family.

But I suppose my MOST mentoring experience would be… with my mom.

She straight up HATED “those squeaky-voiced, huge-eyed kids” (her description of Star Blazers) when I watched any of that as a kid. She bought me Robotech novels, but that was alongside Tolkien and McCaffrey and the host of books she’d get me into, so I think that was more of a curiosity. And she’d occasionally peek in to check out some of the stuff I’d watch when I was older (alternately fascinated by the style and grossed out by the content of Vampire Hunter D, for instance), but outside of the usual “good Ghibli stuff” and some things that would escape our corner of the world to get some mainstream and critical attention (Millennium Actress, for instance), nothing in particular stuck. I brought a stuffed Ryo-Ohki back from a convention, which she likes. But that’s cheating, Ryo-Ohki is adorable.

But that changed after I became “a seasonal.”  I’ve been a Crunchyroll member since 2010, and used it to rewatch old stuff, keep up with new and interesting stuff…  It slowly picked up steam until the past few years turned into 10-20 titles minimum per season, and one show in particular I recommended to her while it was running.  After Kaori’s performance in Your Lie in April #2, I found a YouTube video of it put up quickly and said “hey, watch this.”  She wanted to know where it was from, so I gave her the Crunchyroll account as well.  And we stated watching that show cross-country as well, texting about it after we’d watch.  We kept that up the whole way through.  And then after Erased #1, I again said “holy shit you need to watch this now” and THAT became its own simulwatch as well.  Erased would prove to open the floodgates to seasonal watching as well.   Last season she turned 76, and was watching 10 shows to completion!  (Dropping a couple halfway through, and trialing a bunch more.)

I mean, it’s not ALL great news.  She’ll rule out whole genres like mecha, doesn’t believe in giving shows three episodes, Midousuji [from Yowamushi Pedal] creeps her out, and she doesn’t think Space Brothers is the finest series ever created…  (it’s probably closer to 4th).  But her favorite show is probably Rakugo, she fangirls over Majime from The Great Passage, and got to love watching karuta, so…  she’s a successful pupil!

What was it like to be a part of anime fandom at the time? My high-school years were pretty insular, just me and a friend to start, and a few underclassmen I got into it years later. I wouldn’t process it as anything approaching “fandom” in those days. Even on BBSs, I never found people to chat about anime with. I might pick up some scripts, but that was it. After it led to my first convention, message boards and MUD/MUCK/MUSEs and the internet… that’s when I could count anything as “anime fandom.”

I basically watched Anime Web Turnpike get created, and pursued that often to find these newfangled “websites” getting created which had cool low-res pictures which I would print out in black and white to appreciate at home! Oh, and lyrics! I still listened to a ton of anime songs, and wanted to sing them official-like. So I’d seek out lyric pages, print those, and learn to sing as many as I could. I discovered Hitoshi Doi’s seiyuu database early, and through that learned a whole bunch of names and got exposed to a whole bunch of series I hadn’t heard of.

Other than at cons, anime “fandom” still wasn’t very conversational for me. It was largely slow-moving websites. And occasionally an anime-themed MUCK where I’d role-play, map out “abcb” and attempt to create Megazone 23 underneath it that people could discover and explore.

So I’d watch new things with friends at home, but otherwise we were playing a lot of games. It was more of a personal/insular fandom, with occasional wide exposures by hitting a few conventions.

Do you remember your first convention? What was it, and what was it like?
Anime East 1995. My friend “who converted me” knew one of the con staff, and became staff himself. So I also attended the con, as security, with one of my other friends. For a while Jackie Chan was rumored to be attending, so we fantasized a lot about “running security” for him. 😉

I didn’t get much of a feel for “what a con was about” because my first experience was staffing and being available for the higher-ups. So I had no feeling for the community or events. I thought I would do so by remaining staff in later years, but…! After 1995 it detonated and disappeared forever.

I remember the dealer’s room being miserable. MISERABLE! I was looking for T-shirts and music CDs. There were a smattering of Bubblegum Crisis T-shirts, of fairly poor quality, that were really expensive. Bootlegs had not invaded the show floor, so the official merch was sparse, unimaginative, and expensive. On the last day I remember learning about “Room 303” where someone was selling things… This hotel room was STUFFED TO THE GILLS with exactly what I wanted! I learned all about bootleg iron-on T-shirts this day, and went home with like eight of them. Also I picked up the KOR Sound Color 1-3 albums, which were amazingly cheaper than the CDs on the show floor! (It would take me until Chinatown runs to learn that SonMay was bootleg as well). Which I play first, every time I go to an anime convention, to this day. (I skip the last track on #3. It’s jarringly out-of-context, and a bad way to end it. “One More Yesterday” is the perfect clincher.)

I’m also pretty sure I signed up to pre-order AnimEigo’s KOR laserdiscs here.

Finally, for you what’s the biggest shift between your anime fandom back then and anime fandom today? I suppose it is two things.  But two things that are largely everything born of and fostered by The Internet Age, which I preceded-but-anticipated (BBSing since ’86, and a permanent feature of computer labs in ’93).

The first:  Access. My origin story involves “anything I count get” and that “anything” was raw Japanese and not at all of my own personal selection. (Not that I wouldn’t have, but that I literally had no choices.) Personally, I think very fondly of these days, and it’s quite possible that without the quirky nature of my exposure, I may not have ever picked it up to the degree I quickly immersed myself in, and continued for as long as I have. If I watched Pokemon as a kid, had friends who talked about the last episode of Naruto or Hunter x Hunter on Crunchyroll…? I don’t know whether I would have thought of it anywhere near as special, or as uniquely interesting to me. I still occasionally try to put myself in the mindset of 15 year-old-me but with access to dozens of shows, translated, and in my lap the day after they air in Japan… and I WAS getting them quicker by getting them raw!  It is utterly mind-blowing. There are positives and negatives to how “fandom” and “access” interact with each other today, but it is certainly the most mind-blowing change.

The second: Community. Anime for me was a relentlessly insular thing for me when I started. As much as I got them from my friend, we didn’t watch together.  We didn’t chat about it terribly much (since I was the only younger friend of his who was watching). I watched and I rewatched and I recorded music to listen to on my Walkman and I took special pleasure in random personal things like knowing just how to take a run in Ski Club so that “Over the Top” from the Dirty Pair movie would be timed perfectly.  While _I_ was a fan, it certainly wasn’t a “fandom.” And while this would change majorly in the future, it was much of my first six years.

After my first convention, I could finally see what “fandom” was, including with my friends. The Duffel Bag of Ranma™ got more of my old school friends into it, and new Magic: The Gathering friends increased their habit alongside.  Anime very much became a community thing for me. We’d play Street Fighter and Soulcalibur together.  We’d play Magic together. We’d all jump down a Legend of the Five Rings hole together.  We’d take trips to Chinatown together.  We’d buy out series after series, go to someone’s house, and watch everything we just bought for the rest of the weekend.  And that was the main reason I got out of the habit for a few years… Friends moved, or moved on. I restarted because an old-friend-still-hooked got a bunch of us on a forum to start watching together and chatting about it.

And today, we are part of a community that extends to Japan as well. While language and culture barriers are still there, we are watching the same shows ALL OVER THE WORLD together. We post snarky comments and and create instant memes of episodes broadcast the same week. We forum and we podcast and we Discord and we live-chat. I’d text with my mother about YLiA.  I’d wake up at exactly the right time to watch Space Brothers the moment it started airing on Crunchyroll with a friend living in Japan. I’ll watch the same show with my friend in California and her kids later in the day from watching it with friends from three timezones. I have a Discord server with every damn airing show anyone wants to chat about in it, so we can spoil the shit out of it with each other which we can’t do on Twitter. Communities within communities, with the ability to build communities to make up for limitations in the other.

And while that TOO can have its downsides, it’s a staggering leap further down the road from “occasionally saw a fanzine.”

Some of us use it to compile stories of even the most long-winded dorks.  😉

It’s nice to be reminded that it’s a goddamn beautiful thing.

Cthellis can be reached on Twitter.